Coinciding with the celebration of Artnodes 20th anniversary, we present the Nodes 30, 31 & 32, which are related with ISEA’s topic “Possibles” and its subthemes. The 27th edition of the International Symposium was held in Barcelona on an event driven by UOC and Artnodes, with the collaboration of CCCB, Santa Mònica and MACBA, the support of Ajuntament de Barcelona and Generalitat de Catalunya.

DOI: https://doi.org/10.7238/artnodes.v0i32

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Node 32. «Possibles III»

The art of environmental personhood and the possibility of environmental statehood

Devon Ward

1-11

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Models of interaction between science and art: subordination and transfer

Darío Lanza Vidal

1-9

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“No ideas but in things.” I am sitting in a room, by Alvin Lucier, as a material-affective device and vibratory assembly between human and non-human agencies

Arnau Horta

1-9

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Hyperpublicación 100/24. Two performative workshops for the research into vernacular internet creativity

Ezequiel Soriano

1-9

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Situated formats around the science-art-technology debate: an introduction to European Digital Arts Festivals (DAF)

José Luis Reyes-Criado

1-9

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VR-driven museum opportunities: digitized archives in the age of the metaverse

Ze Gao, Tristan Camille Braud, Varvara Guljajeva

1-14

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Anthropological narratives of machinic otherness at the dawn of posthuman and transhuman theories. A first approach from movies and streaming series

Sonia Ríos Moyano, Leticia Crespillo Marí, Javier González Torres

1-9

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From electrography to expanded graphics: a vision on digital printmaking today and its hybridization processes

Hortensia Mínguez García, Carles Méndez Llopis

1-9

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Undesigned World: what educating through walking means in the Anthropocene

Joshua Korenblat, Laia Solé Coromina

1-9

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Cute or creepy, that is the question of liveness: can artificial actors perform live?

Sahar Sajadieh

1-9

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Emerging themes in the Identifying Successful STARTS Methodologies project and exhibition

Denise Doyle, Richard Glover, Martin Khechara, Sebastian Groes

1-9

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Illustraciencia, an ecosystem for scientific illustration

Diego Ortega Alonso

1-10

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Anticipation stories that augure possible worlds

Johanna Caplliure

1-8

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Aesthetics of hallucination: ontology of visual kaleidoscopes from the Age of Myth to virtual reality

Sandra Cuevas, Reynaldo Thompson, Tirtha Mukhopadhyay

1-9

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Stereoscopic vision in Wilfrid Sellars’ thought: ontological approaches through post-contemporary art

Miguel Ángel Rego Robles

1-9

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The human body from a biotechnological perspective in art contexts: active space of experimentation in constant transformation

Rafael Ortiz Martinez de Carnero

1-8

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The Bartleby Machine: exploring creative disobedience in computers

Bruno Caldas Vianna

1-10

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Miscellany

Transdisciplinarity between art, science and technology: pushing boundaries in Karin Ohlenschläger’s teaching-expositive proposals in her stage as director of LABoral Gijón

Víctor Murillo Ligorred, Nora Ramos Vallecillo

1-11

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