i-iv
Material and Symbolic Effects between Originality and Likeness
1-6
7-34
Intertextual Relationships between the color of the sound and the sound of the color – affections and synesthesia
35-61
62-84
the abstraction of color in Fra Angelico
85-105
106-118
Color and Body in the illuminated manuscripts of Loyset Liédet (1420-1479)
119-150
contributions from Titian
151-180
religious restraints and definitions in the modern Era, under the purple of Cardinals
181-207
Life, Works and Reception
208-209
the Defense of the Classics as a means for Christian Authors
210-226
227-250
hebraica veritas vs. graeca veritas
251-276
277-296
the use of Written Oratory for the conformartion of his personality
297-321
322-336
337-375
the Opera omnia (1516)
376-410
Hieronymi Stridonensis Vita (1516)
411-443
444-465
Holy Scripture in New Sapin in the 16th Century
466-494
from the Image to the Imaginary
495-527
528-565
566-609
610-621
622-648
649-673
refuse to take refuge in sacred or the danger of secularization
674-694
695-740
Speculating the divine Trinity through the good
741-755
756-769
770-787
a comparison of medieval male and female texts about women in the Middle Ages
788-807
the feminine beauty in the descriptio mulieris of the traditional poetry and in the Croatian and Spanish Petrarquist Poems
808-834
835-872
the Great Power of God and its iconographic development in the Canary Islands. Art, History and Tradition
873-897
898-921
922-927
