Big Bacteria for Micro-Humans. Bacteria as an archeological - ecological nexus for an integrative form of health and heritage research
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This article sketches out some aspects of an integrated mode of health and heritage research, in reference to the research network entitled Big Bacteria. Its aim is to establish an interdisciplinary research platform between the natural and the health sciences the arts and the humanities, in order to strengthen the latter in the light of rapid biotechnological advances and related worldviews. The text presents necessary methodological bridges and a model case with ambition to advance the “transitory” resort between the Arts and the Sciences entitled Micro-Humanities. Its minimal goal is to supplement the visual culture approach with the one based on material culture. Since bacterium as res vivens exhibits a form of organization that is responsible for interpreting and changing the processes it is involved in, it serves as central model for individuation, agency and selfhood, observing and interpreting systems. Being the oldest, smallest, most abundant and structurally simplest organisms, bacteria are ubiquitous, diverse and variant, as well as vital for all other life forms. They require to be treated not only as indispensable motives, metaphors and models of knowledge, but also as material, medium and methods for its acquiring as well. As their taxonomy unambiguously suggests, bacteria are the facts of the permanently changing and sensing living matter. The contribution focuses on an important case of the bacteria’s agency to be systematized and related to the research on bioremediation and biodeterioration (breakdown of materials by microbial action).
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Slavko Kacunko, Professor for Art History and Visual Culture at the Department of Arts and Cultural Studies (IKK), University of Copenhagen
Slavko Kacunko (Ph.D., Dr. habil.) is the author of Culture as Capital (Logos, 2015) and Spiegel. Medium. Kunst (Fink, 2010). His Closed Circuit Videoinstallationen (Logos, 2004) is described as a “milestone in the history of media art” and “the pivotal source book for the decades to come”. His Marcel Odenbach. Konzept, Performance, Video, Installation (Chorus, 1999) is described as an “Art history pioneer achievement in the field of video art” and awarded with the DRUPA-prize 2000.
Kacunko is Professor for Art History and Visual Culture at the Department of Arts and Cultural Studies (IKK), University of Copenhagen. His work has been published in German, English and Croatian and has been translated into Polish, Japanese, and Spanish. Kacunko has furthermore authored monographs Wiederholung, Differenz und infinitesimale Ästhetik. Matthias Neuenhofer (2012), Las Meninas Transmedial (VDG 2001), Dieter Kiessling (2001), as well as a number of articles.
Key foci of his scientific profile are Process Arts (video, performance, installation, net art), Visual Studies and its Boundaries, an interdisciplinary Art History and World Heritage as well as the Historical Dimensions of the Aesthetical Discourse. For his interdisciplinary approaches in Art History and Media Studies he received international recognition.
Kacunko was born in Osijek in Croatia, former Yugoslavia where he studied art history, philosophy and pedagogy. He moved to Germany in 1993 and received a Ph.D. from the University of Düsseldorf (1999). His Ph.D. dissertation (summa cum laude) traces the origins of video, installation and performance art and was the first dissertation on one German video artist. He received the post-doctoral qualification (habilitation with venia legendi for Art History) from the University of Osnabrück with a thesis on the History and Theory of Media Art (2006).
Kacunko has co-founded the first art magazine in Croatia, "Kontura" in 1991 and has been working as a curator, art critics and correspondent as well as lecturer and professor for art history, visual studies, media aesthetics and new philology / media studies. He organized exhibitions, conferences, colloquia and screenings since 1993. Since 2000 he works in the field of artist-based research related to the media of photography, video, bio-media as well as the natural and cultural World Heritage together with Sabine Kacunko.
Kacunko is elected member of Academia Europaea (2014). He received grants from Andrea von Braun Stiftung, Fritz-Thyssen Stifting, Messe Düsseldorf, Universität Düsseldorf, Lufthansa and Goethe Institute. Between 2003 and 2009, Kacunko was a Junior Professor for Art History of the Modern Period at the University of Osnabrück. In addition, Kacunko was a lecturer at Institute for New Philologies at the University of Frankfurt, at Center for Image Science at the Danube University Krems and a Visiting Professor at Institute for Art History, University of Düsseldorf.
Kacunko has a track record of collaborative research projects and networking at international level and has been successful in securing external funding. He has experience in project management, and the organization of international conferences. He has taught students of art, art history, media, film, visual communication, and cultural studies on all levels across both theory and practice orientated programs. He has served on expert panels and international research committees, and was asked to to contribute to international doctorate committees.
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