Bézier Flowers. The elastic and instability in interactive digital graphic design
Article Sidebar
Google Scholar citations
Main Article Content
From a drawing created using Bézier curves by Pierre Etienne Bézier himself in 1997 for his friend Brian Barsky, and which has, conveniently, been reproduced here, the article looks first at the origin, nature and spread of the use of Bézier curves throughout interactive digital graphic design for the web. Subsequently, there is an in-depth analysis of the aesthetic implications of vector diagrams for digital typographic fonts, and, lastly, there is a selection of the new aesthetic values that have to be incorporated into an aesthetic for multimedia systems able to adequately handle and adapt themselves to the new vector digital graphic design production.
Keywords:
Article Details
Copyright
For all articles published in Artnodes that are subject to a Creative Commons Attribution 4.0 International licence, copyright is retained by the author(s). The complete text the license can be consulted at http://creativecommons.org/licenses/by/4.0/. You may copy, distribute, transmit and adapt the work, provided you attribute it (authorship, journal name, publisher) in the manner specified by the author(s) or licensor(s).
Authors are responsible for obtaining the necessary licences for the images that are subject to copyright.
Assignment of intellectual property rights
The author non exclusively transfers the rights to use (reproduce, distribute, publicly broadcast or transform) and market the work, in full or part, to the journal’s editors in all present and future formats and modalities, in all languages, for the lifetime of the work and worldwide.
I hereby declare that I am the original author of the work. The editors shall thus not be held responsible for any obligation or legal action that may derive from the work submitted in terms of violation of third parties’ rights, whether intellectual property, trade secret or any other right.
Most read articles by the same author(s)
- Domingo Sánchez-Mesa Martínez, Jordi Alberich, Nieves Rosendo, Introduction: Transmedia narratives , Artnodes: No. 18: (November 2016). NODE 18. Transmedia narratives (Editor: Pau Alsina)
- Jordi Alberich, In progress 7.0: Notes on an aesthetics for new media , Artnodes: No. 2 (2003): NODE 2. Art and New Media
Similar Articles
- Esther Pizarro Juanas, Ecologies of saturation. Artistic research: Space Debris :: Waste Constellations , Artnodes: No. 31: (January 2023). NODE 31. Possibles II (Editors: Pau Alsina & Andrés Burbano)
- Eduard Aibar, Technological imagination and innovation ideology , Artnodes: No. 29: (January 2022). NODE 29. Ecology of the imagination (Guest Editor: Marina Garcés)
- Umberto Luigi Roncoroni Osio, Scope and feasibility conditions of research in art research , Artnodes: No. 21: (June 2018). NODE 21. Media Archaeology (Editors: Pau Alsina, Ana Rodríguez, Vanina Hofman)
- José María Alonso Calero, Machinima, post-photography and post-animation: a comparative disciplinary study , Artnodes: No. 30
- Pau Alsina, Organicities: art, body and technology , Artnodes: No. 6: (November 2006). NODE 6. (Editor: Pau Alsina)
- Marta Pérez-Campos, Workshop (Des)cifradores de mensajes: a way to present the inner workings of a compiler to children aged 6 to 12 from artistic experimentation , Artnodes: No. 30
- Maia Creus Castellana, [art–feminism–technology]: laboratories of citizenship , Artnodes: No. 13: (November 2013). NODE 13. Media art history/stories (Editors: Ana Rodríguez Granell, Pau Alsina)
- Aramis López Juan, The University of Madrid Computer Centre. Creativity and Technology in Spanish Universities in the 1960s , Artnodes: No. 13: (November 2013). NODE 13. Media art history/stories (Editors: Ana Rodríguez Granell, Pau Alsina)
- Siegfried Zielinski, Daniel Irrgang, Statement of the Materiology and Variantology node: invitation to dialogue , Artnodes: No. 34: (July 2024). NODE 34. Materiology and variantology: invitation to dialogue (guest editors: Siegfried Zielinski & Daniel Irrgang)
- Valentina Montero, Vanina Hofman, Media Art in Latin America and Fabián Taranto’s “Search in Progress”: Politics, Participation and Memory , Artnodes: No. 13: (November 2013). NODE 13. Media art history/stories (Editors: Ana Rodríguez Granell, Pau Alsina)
<< < 20 21 22 23 24 25 26 27 28 29 > >>
You may also start an advanced similarity search for this article.