Ecologies of saturation. Artistic research: Space Debris :: Waste Constellations
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The 1957 launch of Sputnik, humanity’s first satellite, inaugurated a new era in the conquest of outer space, but it also marked the beginning of a new type of pollution invisible to our eyes: space pollution. Since then, our planet has been surrounded by numerous satellites tasked with studying our climate, predicting catastrophes, helping us answer important scientific questions for human evolution and keeping us continuously connected and monitored. The useful life of these satellites is threatened by the saturation of objects surrounding the Earth. Accidental collisions between objects orbiting in outer space can produce clouds of debris moving at high speed, posing a collision risk to future space missions. The greater the planetary connectivity, the more space pollution increases. This saturation scenario connects us with conceptual premises, such as artificial environment, ecology without nature, or hyperobject: anchor points from various authors related to the Anthropocene, which will be examined in this text and which will serve as a theoretical pillar for the artistic proposal that we present.
The artistic research, entitled Space Space Debris :: Waste Constellations, analyses and evidences the enormous swarm of space debris revolving around the Earth in its four main orbits. Based on data extracted from scientific sources, it identifies the top eleven powers responsible for the exponential accumulation of space debris, classifies and categorizes the data, and makes visible how all this constellation of space debris is distributed in the Cosmos through an immersive and interactive sculptural installation.
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(c) Esther Pizarro Juanas, 2023
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Esther Pizarro Juanas, Universidad Europea de Madrid
Visual artist, researcher and professor at the Universidad Europea, she has completed four six-year research terms with ANECA. A graduate in Fine Arts from the Universidad Complutense de Madrid, her training was completed thanks to various grants, among them the Pollock-Krasner Foundation Grant in New York, the Spanish Royal Academy grant in Rome, the Colegio de España grant in Paris and the Fulbright Commission grant. Her artistic work pivots between personal works, installation and public art. Her most recent projects explore the complexity of contemporary society: mobility, connection between cities (physical and digital), polycentric urban systems, visualization of data, climate change and environmental emergency are some of the topics she has handled. She has a breadth of research experience, with over 40 publications, 50 conferences, 25 competitive research projects, 30 non-competitive research contracts, 6 stays at Research Centres, 45 individual exhibitions and 180 collective exhibitions. Her professional experience is accredited with over 17 contracts for artistic productions, 15 interventions in public spaces, 20 examining boards, 17 pre- and post-doctoral grants and 30 artistic awards.
Mazini, Ezio. Artefactos. Hacia una nueva ecología del ambiente artificial. Madrid: Celeste Ediciones, 1990.
Morton, Timothy. Hyperobjects. Philosophy and Ecology after the End of the World. Mineápolis, Estados Unidos: University of Minnesota Press, 2013.
Morton, Timothy. Dark Ecology. For a Logic of Future Coexistence. Nueva York: Columbia University Press, 2016. DOI: https://doi.org/10.7312/mort17752
Swyngedouw, Erik. «¡La naturaleza no existe! La sostenibilidad como síntoma de una planificación despolitizada». Urban, no. 01 (2011, mayo): 41-66. http://polired.upm.es/index.php/urban/article/view/410
Stansbery, Gene. NASA’s Orbital Debris Program Office. NASA (2021). Página web. [Fecha de consulta: 24 octubre 2021. https://www.nasa.gov/sites/default/files/files/OrbitalDebrisProgramOffice.pdf
Thompson, Roger. «A Space Debris Primer». Crosslink. The Aeroespacial Corporation magazine of advances in aerospace technology. Understanding Space Debris, vol. 16, no. 1 (Fall 2015): 4-7. https://aerospace.org/sites/default/files/2019-04/Crosslink%20Fall%202015%20V16N1%20.pdf
Torre, Blanca de la. «A modo de complejo Paisaje de Datos». En: Promoción del arte. [MAFD] :: Mapping Active Fire Data. Esther Pizarro (2018): 14-19. Tabacalera La Fragua, Madrid: Ministerio de Cultura y Deporte, 2018. https://www.promociondelarte.com/filedb/2018/6pn1_Peri%C3%B3dico%20MAFD%20web.pdf
Trischler, Helmuth. «El Antropoceno, ¿un concepto geológico o cultural, o ambos?». Desacatos, no. 54 (mayo-agosto 2017): 40-57. DOI: https://doi.org/10.29340/54.1739
Documentación del proyecto
Video documental “Esther Pizarro Studio :: Space Debris :: Waste Constellations”: https://www.youtube.com/watch?v=n8Wi8Oal0JU
Video institucional “Exposición en Las Cigarreras. Space Debris:: Constelaciones de desechos de Esther Pizarro”: https://www.youtube.com/watch?v=jRpyMC1r_74
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