Art and speculative futures “What would happen if...?”

Main Article Content

Vanina Hofman
Pau Alsina

Approaching art from a speculative point of view also involves thinking about other possible worlds beginning in the invention of futures that defy the logic of continuity and that can still surprise us. It means asking ourselves “what would happen if…” and completing the second part of the sentence as might the “idiot”, that conceptual character able to generate the interstice from which other questions emerge, questions for which the conclusions can neither be taken for granted nor can it be assumed that the seeking for their meanings was exhausted. To speculate is to formulate these questions in the form of future fictions and to seek out possible responses without being ashamed of the uncertainty or faltering attempts. To speculate about the future is also to speculate about the present and the past, to create contemporary fables, far-reaching accounts that induce thought.

Keywords
art, futur, especulatiu

Article Details

How to Cite
Hofman, Vanina; Alsina, Pau. “Art and speculative futures ‘What would happen if. ?’”. Artnodes, 2017, no. 19, doi:10.7238/a.v0i19.3122.
Author Biographies

Vanina Hofman, Research assistant Arts and Humanities Studies (UOC)

Vanina Hofman is an assistant researcher at the Arts and Humanities Department, Open University of Catalonia, and an independent cultural producer. She studies plural and divergent practices for the preserving and archiving of media arts. She is particularly interested in the processes involved in the construction of remembrance and oblivion
in digital culture, unconventional arts histories and digital materialities.
Vanina holds a degree in Image and Sound Design from the University of Buenos Aires (UBA). She has a Master’s degree in Art
and New Media Curatorial and Cultural Practices from MECAD/ Ramon Llull University. She holds a PhD from the Internet Interdisciplinary
Institute (IN3)/Open University of Catalonia.
Since 2006, she has managed the independent platform Taxonomedia and has organised several activities in Argentina, Spain
and Colombia. She is member of the Mediaccions Art Matters Lab – a research
collective for digital media and digital culture (Open University of Catalonia) – and the University of Barcelona’s Art, Architecture and
Digital Society research group.
http://taxonomedia.net

Pau Alsina, Lecturer, Arts and Humanities Department (UOC) Editor of Artnodes

PhD in Philosophy from the Universidad de Barcelona. Lecturer at the School of Arts and Humanities at the Universitat Oberta de Catalunya, where he coordinates and teaches contemporary art and thought.
Lecturer of the master’s programme on Digital Art Curatorship at the Higher School of Design from the Ramon Llull University. Editor of
Artnodes, a journal focusing of the intersections between art, science and technology. He is co-founder and member of the editorial team of
YASMIN, a Mediterranean art, science and technology (ACT) network fostered by Unesco Digiarts, Leonardo/ISAST, Olats, Artnodes/UOC and the University of Athens. He has collaborated with various public and private institutions in shaping cultural policies related to art and digital
culture. He has also promoted interdisciplinary events such as the Sinergia meeting or the International Conference on Art and Materiality. He has published several books, book chapters and articles on the intersections between art, science and technology, and contemporary
thought. He is currently investigating the development of a neomaterialistic approach to art and contemporary culture.

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