Art to heal you
Article Sidebar
Google Scholar citations
Main Article Content
The work of Zush reflects on human nature, on the multiple personalities that hide within an individual and the cultural constructions that limit concepts such as health and sickness, sex, madness or reason. A dual, harmonious and conflictive relationship within different subjects' personal relationships, between nature and cultural imposition, between rational thought and the body. A delicate balancing of chaos, monstrosity and rational composition.
Likewise, his iconography feeds on images born of autobiographical elements. Brains, eyes, vital organs, monsters, fire, water and birds constitute his artistic universe as does use of a calligraphic script, a personal alphabet-asura-which he has been developing since he was a boy and which currently contains around 3,000 words. All his books, all his works are written in the alphabet of his state, a hermetic code that aims to express everything that is impossible to explain in a rational way.
This is the work of someone who defines himself through use of his own psychomanualdigital concept, through which he alludes to the harmonious balance the artist must maintain between the rational idea, the creation as a physical act and the use of technology as one's own ritual of the times.
An interview by Judith Clares
Article Details
Copyright
For all articles published in Artnodes that are subject to a Creative Commons Attribution 4.0 International licence, copyright is retained by the author(s). The complete text the license can be consulted at http://creativecommons.org/licenses/by/4.0/. You may copy, distribute, transmit and adapt the work, provided you attribute it (authorship, journal name, publisher) in the manner specified by the author(s) or licensor(s).
Authors are responsible for obtaining the necessary licences for the images that are subject to copyright.
Assignment of intellectual property rights
The author non exclusively transfers the rights to use (reproduce, distribute, publicly broadcast or transform) and market the work, in full or part, to the journal’s editors in all present and future formats and modalities, in all languages, for the lifetime of the work and worldwide.
I hereby declare that I am the original author of the work. The editors shall thus not be held responsible for any obligation or legal action that may derive from the work submitted in terms of violation of third parties’ rights, whether intellectual property, trade secret or any other right.
Similar Articles
- Louise Mackenzie, Robertina Šebjanič, Karolina Żyniewicz, Isabel Burr Raty, Dalila Honorato, Staying in Touch: case study of artistic research during the COVID-19 lock-down , Artnodes: No. 27: (January 2021). Node 27. Arts in the Time of Pandemic (Guest Editors: Laura Benítez & Erich Berger)
- Judith Doyle, Simone Jones, Elizabeth Lopez, Pandemic experimentalism: decentering studio art education in an ongoing global emergency , Artnodes: No. 31: (January 2023). NODE 31. Possibles II (Editors: Pau Alsina & Andrés Burbano)
- Ramon Parramon Arimany, Eugènia Agustí, Jo Milne, Eloi Puig, Artistic production based on processes that coexist within temporary contexts , Artnodes: No. 29: (January 2022). NODE 29. Ecology of the imagination (Guest Editor: Marina Garcés)
- Michael Punt, A Jelly Baby on the Knee , Artnodes: No. 1 (2002): NODE 1. Art, science and technology
- David Link, Carnival Carnivore , Artnodes: No. 34: (July 2024). NODE 34. Materiology and variantology: invitation to dialogue (guest editors: Siegfried Zielinski & Daniel Irrgang)
- Alicia Peñalba, Rubén López-Cano, Jaime Del Val, Neurodiversity and 4E music cognition in technological environments Metatopia , Artnodes: No. 28: (July 2021). NODE 28. In the limits of what is possible: art, science and technology (Guest Editors: Paloma Díaz, Andrea García)
- Mª Isabel Soler Ruiz, Rosa Mármol Pérez, Art, Technology and Humanism. The Social Design Lab Studio Roosegaarde as a creative technopoetic ecosystem , Artnodes: No. 21: (June 2018). NODE 21. Media Archaeology (Editors: Pau Alsina, Ana Rodríguez, Vanina Hofman)
- Marietta Radomska, Mayra Citlalli Rojo Gómez, Margherita Pevere, Terike Haapoja, Non/Living Queerings, Undoing Certainties, and Braiding Vulnerabilities: A Collective Reflection , Artnodes: No. 27: (January 2021). Node 27. Arts in the Time of Pandemic (Guest Editors: Laura Benítez & Erich Berger)
- Fernando Portal, María Jesús 18-08-1987 Schultz, Sensible al código. Methodological transference between ancestral knowledges and new means of dividuation , Artnodes: No. 31: (January 2023). NODE 31. Possibles II (Editors: Pau Alsina & Andrés Burbano)
- Rene G. Cepeda, Making a Manual: The Manual for the Curation and Display of Interactive New Media Art , Artnodes: No. 31: (January 2023). NODE 31. Possibles II (Editors: Pau Alsina & Andrés Burbano)
You may also start an advanced similarity search for this article.