Undermining Media
Article Sidebar
Google Scholar citations
Main Article Content
A distinction between the terms medium and media, as can be found in the work of Marshall McLuhan, is taken as the starting point for developing a materialist theory of media. Media, as 'cultural techniques', are understood to be undermined by the material contingencies of the medium which constitutes an indifferent channel for symbolic content. This process of undermining reveals something of the medium itself as an affective and influential matter. The affective potential and occasional surfacing of the medium as material substrate is explored through the work of three artists: Will Schrimshaw, Martin Howse and Jonathan Kemp.
Article Details
Copyright
For all articles published in Artnodes that are subject to a Creative Commons Attribution 4.0 International licence, copyright is retained by the author(s). The complete text the license can be consulted at http://creativecommons.org/licenses/by/4.0/. You may copy, distribute, transmit and adapt the work, provided you attribute it (authorship, journal name, publisher) in the manner specified by the author(s) or licensor(s).
Authors are responsible for obtaining the necessary licences for the images that are subject to copyright.
Assignment of intellectual property rights
The author non exclusively transfers the rights to use (reproduce, distribute, publicly broadcast or transform) and market the work, in full or part, to the journal’s editors in all present and future formats and modalities, in all languages, for the lifetime of the work and worldwide.
I hereby declare that I am the original author of the work. The editors shall thus not be held responsible for any obligation or legal action that may derive from the work submitted in terms of violation of third parties’ rights, whether intellectual property, trade secret or any other right.
William Christopher Schrimshaw, Independent
Will Schrimshaw is an artist, researcher and drummer. Working with sound amidst a larger vibrational continuum, his work is broadly concerned with the subliminal influence of backgrounds and the imperceptible determinants of space and place. In 2011 he completed a PhD in Philosophy and Architecture at Newcastle University, focusing upon ideas of acoustic space and auditory influence within architectural and artistic practice. He teaches courses on sonic interaction and sound design and has completed a number of residencies, solo and group exhibitions, performances and workshops throughout Europe.Similar Articles
- Peter Blegvad, Imagined, observed, remembered , Artnodes: No. 34: (July 2024). NODE 34. Materiology and variantology: invitation to dialogue (guest editors: Siegfried Zielinski & Daniel Irrgang)
- Jan Distelmeyer, From object to process. Interface politics of networked computerization , Artnodes: No. 24: (July 2019). NODE 24. After post-truth (Editor.: Jorge Luis Marzo)
- Tomáš Dvořák, Photography as protogeometry , Artnodes: No. 34: (July 2024). NODE 34. Materiology and variantology: invitation to dialogue (guest editors: Siegfried Zielinski & Daniel Irrgang)
- Anthony Schrag, TrainWreck, or The Failures of Infrastructure: reflections on a Creative People and Place project , Artnodes: No. 21: (June 2018). NODE 21. Media Archaeology (Editors: Pau Alsina, Ana Rodríguez, Vanina Hofman)
- Fermín Soria Ibarra, Stresses, paradoxes, terminological debates, and some transformative possibilities within the educational turn framework in artistic and curation projects , Artnodes: No. 17: (June 2016). NODE 17. Art and Education (Editor: Aida Sánchez de Serdio)
- Sara Calvete-Lorenzo, Andrés Rozados-Lorenzo, Rocío del Pilar Sosa-Fernández, Imagined reality, the liquid, dystopia, and virtuality in science fiction cinema: Don’t Worry Darling, a case study , Artnodes: No. 33: (January 2024). NODE 33. Media Artivism: On the Archaeology and History of Digital Culture for Social Change (Guest Editors: Carolina Fernández-Castrillo & Diego Mantoan)
- Raquel Paricio, Juan Manuel Moreno, POEtic-cubes: attention and emergence. Bio-inspired hardware for art installations , Artnodes: No. 9: (December 2009). NODE 9. Complexity (Editor: Pau Alsina, Josep Perelló)
- Andres E. Burbano, Esteban García, Breaking the Navajo Code with Bill Toledo , Artnodes: No. 16: (November 2015). NODE 16. Art Matters II (Editor: Ana Rodríguez Granell)
- Jesús Carrillo Castillo, The Museum as Archive , Artnodes: No. 10: (November 2010). NODE 10. Archives (Editors: Rosina Gómez-Baeza, Pau Alsina)
- Signe Leth Gammelgaard, Cutting up the sensible. Rancièrian politics in a posthumanist perspective , Artnodes: No. 14: (November 2014). NODE 14. New Feminist Materialism (Editor: Ana Rodríguez Granell)
<< < 29 30 31 32 33 34 35 36 37 38 > >>
You may also start an advanced similarity search for this article.