Politics as encounter and response-ability. Learning to converse with enigmatic others
Article Sidebar
Google Scholar citations
Main Article Content
Starting from the question of what the politics of new feminist materialisms could be, this article addresses the possibilities of (re-)conceptualizing the political in terms of encounters and involvedness, but not foremost as a matter of choice and decision but as “the only way you can figure you can stay alive” (Reagon, 1983). In our times of hegemonic anthropocentric rule of the political (Scott, 1999), I see important contributions of new (feminist) materialisms to the challenge of reconsidering our modes of encountering “others” (human and more-than-human), who, without necessarily playing by the rules, are nevertheless agentive forces. Acknowledging our fundamental dependency as living beings enmeshed in human and more-than-human worlds provides ethical grounds for working on modes of encountering “others” that accept and even embrace the fact that our own certainties will not remain stable in the process. I propose a reading of Judith Butler’s anti-foundationalist rethinking of humanist notions of intentionality and political agency (2011) through Karen Barad’s critique of her attribution of matter’s dynamism and historicity solely to the agency of language or culture (2007). I suggest that Butler’s rethinking of political subjectivity can be re-invigorated and sharpened, in light of Barad’s critique (2007), by revisiting Butler’s claim that matter is “a ‘that which’ which prompts and occasions”. I argue that this confounds any clear distinction of passivity and activity, thereby enabling a transformation of our understanding of subjectivity and agency in terms of being-with and responding to the enigmatic address of the other (Basile, 2005).
Article Details
Copyright
For all articles published in Artnodes that are subject to a Creative Commons Attribution 4.0 International licence, copyright is retained by the author(s). The complete text the license can be consulted at http://creativecommons.org/licenses/by/4.0/. You may copy, distribute, transmit and adapt the work, provided you attribute it (authorship, journal name, publisher) in the manner specified by the author(s) or licensor(s).
Authors are responsible for obtaining the necessary licences for the images that are subject to copyright.
Assignment of intellectual property rights
The author non exclusively transfers the rights to use (reproduce, distribute, publicly broadcast or transform) and market the work, in full or part, to the journal’s editors in all present and future formats and modalities, in all languages, for the lifetime of the work and worldwide.
I hereby declare that I am the original author of the work. The editors shall thus not be held responsible for any obligation or legal action that may derive from the work submitted in terms of violation of third parties’ rights, whether intellectual property, trade secret or any other right.
Hanna Meissner, Technische Universität Berlin
Postdoctoral assistant at the Centre for Women’s and Gender Studies (ZIFG)
Technische Universität Berlin (Germany)
Similar Articles
- Jordi Alberich Pascual, Francisco-Javier Gómez-Pérez, Transmedia explorations in contemporary Ibero-American collaborative film-making , Artnodes: No. 18: (November 2016). NODE 18. Transmedia narratives (Editor: Pau Alsina)
- Pau Alsina, "Media Libraries and Archives for the 21st Century" Node. Introduction: How to archive and preserve artistic practices linked to new mediums , Artnodes: No. 10: (November 2010). NODE 10. Archives (Editors: Rosina Gómez-Baeza, Pau Alsina)
- Attila Márton, The Transfigurability of Digital Objects , Artnodes: No. 10: (November 2010). NODE 10. Archives (Editors: Rosina Gómez-Baeza, Pau Alsina)
- Umberto Roncoroni Osio, Veronica Crousse Rastelli, Augmented virtuality: emerging processes, art and digital media , Artnodes: No. 17: (June 2016). NODE 17. Art and Education (Editor: Aida Sánchez de Serdio)
- Carmen Gómez-Redondo, Olaia Fontal, Álex Ibáñez-Etxeberria, The use of ICT for heritage recognition and identization processes in contemporary art , Artnodes: No. 17: (June 2016). NODE 17. Art and Education (Editor: Aida Sánchez de Serdio)
- Andres E. Burbano, Esteban García, Breaking the Navajo Code with Bill Toledo , Artnodes: No. 16: (November 2015). NODE 16. Art Matters II (Editor: Ana Rodríguez Granell)
- Jorge Luis Marzo Perez, The “liquid” genealogy of the interface , Artnodes: No. 16: (November 2015). NODE 16. Art Matters II (Editor: Ana Rodríguez Granell)
- Tincuta Heinzel, Synthetic Beuys: on Nano-Materials and the Aesthetics of Imperceptibility , Artnodes: No. 15: (June 2015). NODE 15. Art Matters I (Editors: Pau Alsina, Ana Rodríguez Granell)
- Arianna Borrelli, Angels and blue brains: aesthetics of knowledge in science and religion , Artnodes: No. 34: (July 2024). NODE 34. Materiology and variantology: invitation to dialogue (guest editors: Siegfried Zielinski & Daniel Irrgang)
- Augusto Zubiaga, Lourdes Cilleruelo, Games of emulation: Ideological framework for an electronic neural architecture of biological inspiration , Artnodes: No. 25: (January 2020). NODE 25. Dialogs Between Art and Fundamental Science (Guest Editors: M. Bello & A. Gracie)
<< < 5 6 7 8 9 10 11 12 13 14 > >>
You may also start an advanced similarity search for this article.