Knowledge Cultures in New Media Art

Article Sidebar

Rama Hoetzlein
PDF ePUB

Main Article Content

Rama Carl Hoetzlein
DKE School of Entrepreneurship, Florida Gulf Coast University

New Media Art reflects the dramatic creative and cultural shifts in science and technology of the past century. With these shifts, the multitude of forms of art-making have expanded to include a wide range of ideas and techniques. Following several decades of new contributions, this plurality of expression has resisted monolithic or curatorial approaches to organization along the lines of media.


This paper defines knowledge cultures as flexible, overlapping, non-exclusive, ideological sub-groups and seeks to identify such groups within the practice and theory of New Media Art. While practising groups may be associated with specific media such as games, 3D printing, or artificial intelligence, we seek to identify knowledge groups by their explicit, hidden or shared ideological principles.

Keywords
art and technology, knowledge cultures, post-medium, post-modernism, pluralism, curation

Article Details

How to Cite
Hoetzlein, Rama Carl. “Knowledge Cultures in New Media Art”. Artnodes, 2023, no. 31, pp. 1-9, doi:10.7238/artnodes.v0i31.402859.
Rights
Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

(c) Rama Carl Hoetzlein, 2023


Copyright

For all articles published in Artnodes that are subject to a Creative Commons Attribution 4.0 International licence, copyright is retained by the author(s). The complete text the license can be consulted at http://creativecommons.org/licenses/by/4.0/. You may copy, distribute, transmit and adapt the work, provided you attribute it (authorship, journal name, publisher) in the manner specified by the author(s) or licensor(s).

Authors are responsible for obtaining the necessary licences for the images that are subject to copyright.

Assignment of intellectual property rights

The author non exclusively transfers the rights to use (reproduce, distribute, publicly broadcast or transform) and market the work, in full or part, to the journal’s editors in all present and future formats and modalities, in all languages, for the lifetime of the work and worldwide.

I hereby declare that I am the original author of the work. The editors shall thus not be held responsible for any obligation or legal action that may derive from the work submitted in terms of violation of third parties’ rights, whether intellectual property, trade secret or any other right.

Author Biography

Rama Carl Hoetzlein, DKE School of Entrepreneurship, Florida Gulf Coast University

Rama Hoetzlein is an assistant professor of Digital Media Design in the School of Entrepreneurship at Florida Gulf Coast University, where he initiated the Interaction Research Lab for motion studies. He has exhibited works internationally while studying Media Arts and Technology at the University of California Santa Barbara, worked with George Legrady on Making Visible the Invisible (Seattle Public Library) and was co-director alongside Alan Liu for the research-oriented social network (RoSE) in the digital humanities. From 2013 to 2019, Dr. Hoetzlein was lead architect for voxel-based software at Nvidia. His latest research explores knowledge and simulation systems and can be found at: http://ramakarl.com.

References

Anadol, Refik. “Quantum Memories”. Refik Anadol. Website. [Accessed: 9 October 2022]. https://refikanadol.com/

Anderson, Steve F. Technologies of History: Visual Media and the Eccentricity of the Past. (Hanover: Dartmouth College Press, 2011), 149.

Bal, Alexandra. “Sentience as The Antidote to Our Frenzied Mediated Selves”. Proceedings of the 26th International Symposium on Electronic Art. ISEA (2020): 21-28.

Bush, Vannevar. “As We May Think”. The Atlantic Monthly (1945, July), republished in Interactions, vol. 3, no. 2, (1996, March): 35-46. DOI: https://doi.org/10.1145/227181.227186

Borgdorff, Henk. “The Production of Knowledge in Artistic Research”. Routledge Companion to Research in the Arts. (New York: Routledge, 2011), 45-63.

Bourriaud, Nicolas. Relational Aesthetics. Paris: Presses du reel, 2002.

Cohn, Gabe. “AI Art at Christie’s Sells for $432,500”. The New York Times (2018, October). [Accessed: 18 October 2021]. https://www.nytimes.com/2018/10/25/arts/design/ai-art-sold-christies.html

Danto, Arthur. “The End of Art: A Philosophical Defense”. History and Theory, vol. 37, no. 4 (1998, December): 127-143. DOI: https://doi.org/10.1111/0018-2656.721998072

Dekker, Annet. “Shu Lea Cheang: Composting the Net”. NetArtWorks: Online Archives (2012, May). [Accessed: 9 October 2022]. http://aaaan.net/shu-lea-cheang-composting-the-net/

Ellison, Aaron and David Borden. “Ecological Art: Art with a Purpose”. The Goose, vol. 17, no. 2, art. 3 (2019a).

Ellison, Aaron and David Borden. “Ecological Art: Art with a Purpose”. The Goose, vol. 17, no. 2, art. 3 (2019b): 10.

Grau, Oliver. “Renewing knowledge structures for media art”. Proceedings of the 2010 International conference on Electronic Visualization and the Arts (2010, July): 286-295. DOI: https://doi.org/10.14236/ewic/EVA2010.38

Hertzmann, Aaron. “Visual Indeterminacy in GAN Art”. Leonardo, vol. 53, no. 4 (2020): 424-428. DOI: https://doi.org/10.1162/leon_a_01930

Hirsch, Andreas J. Creating the Future: A Brief History of Ars Electronica 1979-2019. Linz: Ars Electronica, 2019.

Krauss, Rosalind. “The Guarantee of the Medium”. Studies across Disciplines in the Humanities and Social Sciences (Helsinki: Helsinki Collegium for Advanced Studies, 2009), 139-145.

Lyotard, Jean-Franҫois. The Postmodern Condition: A Report on Knowledge. (UK: Manchester University Press, 1979a), chap. XXIV.

Lyotard, Jean-Franҫois. The Postmodern Condition: A Report on Knowledge. (UK: Manchester University Press, 1979b), chap. XXIV, 54.

Machkovech, Sam. “Papers, Please Review: Paper trail of tears”. Gaming & Culture (2013, August). [Accessed: 9 October 2022]. https://arstechnica.com/gaming/2013/08/papers-please-review-paper-trail-of-tears/

Manovich, Lev. Language of New Media. (Cambridge: MIT Press, 2002), 9. DOI: https://doi.org/10.22230/cjc.2002v27n1a1280

Manovich, Lev. “Deep Remixability”. Artifact, vol. 1, no. 2 (2007): 76-84. DOI: https://doi.org/10.1080/17493460701206751

Moretti, Franco. “Conjectures on World Literature”. New Left Review, no. 1 (2000, January-February): 57. London.

Parker, Rozsika and Griselda Pollock. Framing Feminism: Art and the Women’s Movement 1970-85. New York: Pandora Press, 1987.

Paul, Christiane. New Media in Art. Thames & Hudson, 2005.

Phillips, Joanna, Deena Engel, Emma Dickson and Jonathan Farbowitz. “Restoring Brandon, Shu Lea Cheang’s Early Web Artwork”. Guggenheim Checklist (2017, May).

Roy, Mathieu and Harold Crooks. “Surviving Progress”. National Film Board Canada. Website. [Accessed: 9 October 2022]. https://www.nfb.ca/film/surviving-progress/

Shanken, Edward. “Contemporary Art and New Media: Digital Divide or Hybrid Discourse?”. Art Research Journal Brazil, vol. 2, no. 2 (2015a, July): 75-98.

Shanken, Edward. “Contemporary Art and New Media: Digital Divide or Hybrid Discourse?”. Art Research Journal Brazil, vol. 2, no. 2 (2015b, July): 76.

Shanken, Edward. “Contemporary Art and New Media: Digital Divide or Hybrid Discourse?”. Art Research Journal Brazil, vol. 2, no. 2 (2015c, July): 77-78.

Shanken, Edward. “Contemporary Art and New Media: Digital Divide or Hybrid Discourse?”. Art Research Journal Brazil, vol. 2, no. 2 (2015d, July): 79.

Tribe, Mark and Reena Jana. New Media Art. Rome: Taschen, 2007.

Tromble, Meredith. “Ask not what AI can do for art… but what art can do for AI”. Artnodes, no. 26 (2020). DOI: https://doi.org/10.7238/a.v0i26.3368

Uidhir, Christy Mag and P.D. Magnus. “Art Concept Pluralism”. Metaphilosophy, vol. 42, no. 1-2 (2011, January): 83-97. DOI: https://doi.org/10.1111/j.1467-9973.2010.01678.x

Vassilou, Konstantinos. “The ‘End of Art’ in the Era of Digital Pluralism”. Konsthistorisk tidskrift/Journal of Art History, vol. 87, no. 2, (2018): 103-114. DOI: https://doi.org/10.1080/00233609.2018.1435563

Verostko, Roman. “The Algorists”. Roman Verostko. Website. [Accessed: 9 October 2022]. http://www.verostko.com/algorist.html.

Similar Articles

<< < 5 6 7 8 9 10 11 12 13 14 > >> 

You may also start an advanced similarity search for this article.