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NODE 24. After the post-truth

The mathematical management of sincerity. Algorithms and veridiction

Jorge Luis (coord.) Marzo

1-12

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Photo: Ester Jordana Lluch

The interface as alesthesis: truth as sensible organisation

Ester Jordana Lluch, Ramon Rispoli

13-22

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Emillie V de Keulenaar

On Altpedias: partisan epistemics in the encyclopaedias of alternative facts

Emillie V de Keulenaar, Marc Tuters, Ivan Kisjes, Kaspar Beelen

22-33

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Marloes de Valk

Recycling old strategies and devices. What remains, an art project addressing disinformation campaigns (re)using strategies to delay industry regulation

Marloes de Valk

34-43

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Pathological object / panoptic object. Design to optimize and enhance transparency in wearable devices

Alicia de Manuel Lozano

44-52

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What does an image prove?

Raúl León-Mendoza

53-63

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You are the controller: ubiquitous interfaces and interactive digital media art installations

Phaedra Shaunbaum

64-71

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New ways of hiding: towards metainterface realism

Søren Bro Pold

72-82

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From object to process. Interface politics of networked computerization

Jan Distelmeyer

83-90

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Post-truth politics in the Middle East: the case studies of Syria and Turkey

Gabriele Cosentino, Berke Alikasifoglu

91-100

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Between fakes and factoids: the condition of falsehood in the diffuse sphere of contemporary art after the post-truth era

Ricardo González-García

101-110

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Miscellany

Medialab Madrid 2002-2006. Participatory culture and social activism in Madrid

Raquel Caerols Mateo, Beatriz Escribano

111-120

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Artistic practices in the age of the datacene. Data Biography: digital traces to biographically explore personal identity

Diego Díaz, Clara Boj

134-141

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Approach to Lorca’s theatrical work through Social Network Theory: The House of Bernarda Alba

Elena Martínez Carro

134-141

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Expressive cognition as a relationship experience of art and science in pre-university education

Martin Caeiro Rodríguez, Antonia María Muñiz de la Arena

142-154

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