The human body from a biotechnological perspective in art contexts: active space of experimentation in constant transformation

Main Article Content

Rafael Ortiz Martinez de Carnero

Over the last three decades, the rise of new conceptualizations around the human body in connection with technology and machines has led to the development of new art practices in parallel with technological advances in the fields of biology, medicine and computing.


This paper examines the human body in art contexts where biotechnology plays a relevant role in the generation of new conceptualizations around the human body topic. Thus, re-contextualized in social and cultural spheres and technical terms, the body will become redesigned, revamped, or augmented through the use of technological advances ranging from plastic surgery to robotic prosthetics.


The human body is our vehicle of direct interaction with the environment. Its modification, alteration or expansion implies a redefinition of the existing limits between our corporality and the environment itself. Not only in the physical sense, but metaphysical and social. Hence, the introduced artists and strategies blur these limits and establish new relations through the body as a physical and social entity. In the search of new boundaries far beyond socio-cultural and natural limitations, they will reach new social, perceptual and conceptual statuses, far beyond aesthetic practices, focusing on the generation of political and social debates.

Keywords
art, body, plastic surgery, activism, prostheses, robotics

Article Details

How to Cite
Ortiz Martinez de Carnero, Rafael. “The human body from a biotechnological perspective in art contexts: active space of experimentation in constant transformation”. Artnodes, no. 32, pp. 1-8, doi:10.7238/artnodes.v0i32.410379.
Author Biography

Rafael Ortiz Martinez de Carnero, Architect and Artist. Creative Director and Founder at O+R Studio

He is an architect, 2007, and director of O+R Studio, who is based in Shanghai and Seville since 2013. He has worked as Architect at Vito Acconci Studio in New York and as Project Manager at AS. Architecture-Studio at Shanghai. He holds a master of Science in Architecture from the Pratt Institute, New York, 2009 and an International Doctorate, from the University of Seville, 2017. His research focuses on the study of design strategies at the intersection between nature and technology and the impact they produce on society, the landscape and territory, from an interdisciplinary approach that encompasses art, architecture and urban design.

He has held individual and collective exhibitions in Seville (2023, 2021, 2018, 2007, 2006), Termoli (2023), Gimpo (2023), Cádiz (2018), Shanghai (2013, 2012), Toledo (2011), and New York (2009). Parallel to the activity of his studio, he has been programme leader and lecturer for the University of Derby (U.K) in China and professor at the Raffles Design Institute (Singapore) in China, the University of New Haven (U.S.A) and the University of Seville, in Spain. He was also a speaker at the Institute for the Study of International Expositions (2022), Kyoto University of the Arts (2022), University Institute of Lisbon (2021), University of Seville (2020, 2017), Leibniz Universität Hannover (2020), Shanghai Architects Fair (2014), and the Southeast University (2013).

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