The boundaries that constitute us: Parasite, pandemic life, and crises of vulnerability
Article Sidebar
Google Scholar citations
Main Article Content
In a very literal sense, a biological organism cannot be alive on its own. I employ key premises in second-order cybernetics in current developments in philosophy of science and posthumanist thought in an attempt to speak upon the state of precarity and lived reality of social and political life during the unprecedented COVID-19 pandemic. I posit the parasite and the virus as biological and communicational forms which model the impossibility of solipsism in life (be it viral, parasitic, or human). I believe that disrupting a premise of solipsism operates as a central task in an attempt to see and speak of the skein of interrelationships that inform our shared understanding about current events.
To mobilize this discussion, I am sensitized to seek the resonances of the film Parasite on topics of radical interrelationality, systemicities within capitalist strictures, and muddled boundaries of biological and political life. The role of socio-economic boundaries affectively felt in the film provides a starting point from which I delve into analogous scientific concepts, including work of cyberneticians Gregory Bateson and Heinz von Foerster, among others, and their respective notions of epistemological responsibility and the circularity of human relations and mutual interaction. This discussion will anchor my attempt to present a symbiosis of concepts that posit the existence of viruses as the existence of boundaries in life forms on earth. Such concepts include Jakob von Uexküll’s Umwelt especially as it pertains to viral life, Michel Serres’ malleable interpretation of the parasite, and the formal analogies made by cyberneticists between viral ‘consciousness’ and Alan Turing’s machine (self-)organization. I frame these concepts with their potential to offer a phenomenologically resonant and scientifically nuanced understanding into systemic class warfare in mind, as depicted in the film and ramifying throughout.
Article Details
Copyright
For all articles published in Artnodes that are subject to a Creative Commons Attribution 4.0 International licence, copyright is retained by the author(s). The complete text the license can be consulted at http://creativecommons.org/licenses/by/4.0/. You may copy, distribute, transmit and adapt the work, provided you attribute it (authorship, journal name, publisher) in the manner specified by the author(s) or licensor(s).
Authors are responsible for obtaining the necessary licences for the images that are subject to copyright.
Assignment of intellectual property rights
The author non exclusively transfers the rights to use (reproduce, distribute, publicly broadcast or transform) and market the work, in full or part, to the journal’s editors in all present and future formats and modalities, in all languages, for the lifetime of the work and worldwide.
I hereby declare that I am the original author of the work. The editors shall thus not be held responsible for any obligation or legal action that may derive from the work submitted in terms of violation of third parties’ rights, whether intellectual property, trade secret or any other right.
Won Jeon, University of California, Santa Cruz
Won Jeon is a first-year PhD student in the History of Consciousness department at UC Santa Cruz. Her current research interests lie in materializing the epistemological insights of first and second-order cybernetics (along the work of Gregory Bateson and Heinz von Foerster) in present conjunctures in social, political, and scientific thought. She is also dedicated to accounting for various stigmatized subjectivities through intersections of gender and sexuality, race, and disability in psychiatric theories and literatures.
Bateson, Gregory. A Sacred Unity: Further Steps to an Ecology of Mind. Edited by Rodney E. Donaldson. New York: Harper Collins Publishers, 1991.
Bateson, Gregory. Steps to an Ecology of Mind. San Francisco: Chandler Pub. Co., 1972.
Bateson, Gregory, and Mary Catherine Bateson. Angels Fear: Towards an Epistemology of the Sacred. New York: Bantam Books, 1988.
Bateson, Mary Catherine. Our Own Metaphor: A Personal Account of a Conference on the Effects of Conscious Purpose on Human Adaptation. Washington: Smithsonian Institution Press, 1991.
Berlant, Lauren. Cruel Optimism. Durham and London: Duke University Press, 2011.
Butler, Samuel. Evolution Old and New: On the Theories of Buffon, Dr. Erasmus Darwin and Lamarck, as Compared with that of Charles Darwin. University of Michigan Library, originally published in 1911.
Darwin, Erasmus. Zoonomia; or the Laws of Organic Life. Echo Library; Illustrated Edition, 2009, first published 1974.
Desowitz, Bill. “‘Parasite’: Shooting Bong Joon Ho’s Social Thriller Through the Lens of Class Divide.”
IndieWire, November 15, 2019. https://www.indiewire.com/2019/11/parasite-cinematographer-hong-kyung-pyo-1202189824/
Mbembe, Achille. Necropolitics. Translated by Steven Corcoran. Durham and London: Duke University Press, 2016.
Sampson, Tony D. Virality: Contagion Theory in the Age of Networks. Minneapolis: University of Minnesota Press, 2012.
Serres, Michel. The Parasite. Translated by Lawrence R. Schehr. Minneapolis: University of Minnesota Press, 1980.
Von Foerster, Heinz. The Beginning of Heaven and Earth Has No Name: Seven Days With Second-Order
Cybernetics. Edited by Albert Muller and Karl H. Muller. Translated by Elinor Rooks and Michael Kasenbacher. New York: Fordham University Press, 2014.
Von Foerster, Heinz. Understanding Understanding: Essays on Cybernetics and Cognition. New York: Springer-Verlag, 2010. DOI: https://doi.org/10.2307/j.ctt13wzw8d
Von Uexkull, Jakob. A Foray Into the World of Animals and Humans. Translated by Joseph D. O’Neil. Minneapolis: University of Minnesota Press, 2010.
Whitehead, Alfred North. Process and Reality. Edited by David Ray Griffin and Donald W. Sherburne. Free Press, 1979, first published 1929.
Similar Articles
- Ivan Flores Arancibia, Begonya Saez Tajafuerce, The trauma of the inert. Notes for a new parasitology , Artnodes: No. 27: (January 2021). Node 27. Arts in the Time of Pandemic (Guest Editors: Laura Benítez & Erich Berger)
- Marietta Radomska, Mayra Citlalli Rojo Gómez, Margherita Pevere, Terike Haapoja, Non/Living Queerings, Undoing Certainties, and Braiding Vulnerabilities: A Collective Reflection , Artnodes: No. 27: (January 2021). Node 27. Arts in the Time of Pandemic (Guest Editors: Laura Benítez & Erich Berger)
- Morten Søndergaard, Laura Beloff, Living biotechnical lives: noise, parasites, and relational practices , Artnodes: No. 30
- Ada Xiaoyu Hao, Making touch visible with the suture of fantasy with virtual aesthetician in “The Best Facial Clinic” – The glitchy-score of tele-synaesthesia performance in the age of global pandemic , Artnodes: No. 28: (July 2021). NODE 28. In the limits of what is possible: art, science and technology (Guest Editors: Paloma Díaz, Andrea García)
- Laura Benítez Valero, Erich Berger, First Response , Artnodes: No. 27: (January 2021). Node 27. Arts in the Time of Pandemic (Guest Editors: Laura Benítez & Erich Berger)
- Juan Pablo Fernández-Cortés, Opera and virtual violence in fictional gaming worlds , Artnodes: No. 31: (January 2023). NODE 31. Possibles II (Editors: Pau Alsina & Andrés Burbano)
- Louise Mackenzie, Robertina Šebjanič, Karolina Żyniewicz, Isabel Burr Raty, Dalila Honorato, Staying in Touch: case study of artistic research during the COVID-19 lock-down , Artnodes: No. 27: (January 2021). Node 27. Arts in the Time of Pandemic (Guest Editors: Laura Benítez & Erich Berger)
- Joan Soler-Adillon, The intangible material of interactive art: agency, behavior and emergence , Artnodes: No. 16: (November 2015). NODE 16. Art Matters II (Editor: Ana Rodríguez Granell)
- Josephine Berry, Bare Code: Net Art and the Free Software Movement , Artnodes: No. 3 (2004): NODE 3. Heterotipies
- Eugene Thacker, Criptobiologies , Artnodes: No. 6: (November 2006). NODE 6. (Editor: Pau Alsina)
You may also start an advanced similarity search for this article.