Editorial: The impact of technology on certain historiographic issues

Main Article Content

Ana Rodriguez Granell

It gives us great pleasure to present the 23rd issue of the magazine as a heterogeneous collection that brings together selected articles submitted in response to three different calls for contributions. On the one hand, we bring the volume focusing on media archaeology to a close with this second series of texts. The section on Digital Humanities also comprises an interesting series of contributions related to the 3rd Congress of the International Society of Hispanic Digital Humanities. The last section of this issue brings together another set of articles submitted in response to the magazine’s regular call for contributions, including different perspectives on issues that fall within the magazine’s scope of interest.


All the sections and research contained here are unavoidably disparate from each other, yet, when taken as a whole, the reader will realise that there is a common thread throughout this issue, focusing on the impact of certain technologies have had on the way we view the past. The historical scope of technologies does not only operate in a single direction, but rather throughout time in its entirety.

Keywords:

tecnologia, historiography

Article Details

How to Cite
Rodriguez Granell, Ana. “Editorial: The impact of technology on certain historiographic issues”. Artnodes, no. 23, doi:10.7238/a.v0i23.3265.
Author Biography

Ana Rodriguez Granell, UOC

PhD in Art History (University of Barcelona, 2012). Since 2009, lecturer in the Department of Arts and Humanities at the UOC, where she
coordinates subjects related to the areas of Media, Film Studies and Art History. Since 2006, she has been a member of research groups and
R & D projects funded by the Ministry of the Economy pf Spain dedicated to the study of culture and society, cinema and history and digital culture. In 2013 she joined the editorial team of the indexed magazine Artnodes as executive director. Her recent research and publications have focused on reflecting on the cultural history of modernism and on issues of agency and oppositional aesthetics in the arts of the 20th and late 19th centuries. Recently, she has developed her research work as a visiting researcher in the Department of Visual Anthropology at Goldsmiths University in London.

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