The transformation of the research process in history of architecture through the use of digital technologies

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Patricia Ferreira-Lopes

In recent decades, the use of digital technologies not only has transformed the way in which research on architectural heritage is conducted, but it has also expanded the possibilities of generating ever more interdisciplinary projects. The increase of the range of open tools, with more functional and user-friendly interfaces, has made possible to identify and visualise previously invisible evidence, synthesise and map temporal information and combine data
from heterogeneous sources to generate new data and hypotheses. They have also provided a stimulating setting for raising questions on buildings, cities and territory, as well as the agents interacting with them. The aim of this article is to demonstrate the change, during the process and the practice, of research on history of architecture with the use of digital technologies. To do so, we address a number of issues such as objectivism/subjectivism, data usability, project
flexibility, data sustainability and technology training and learning. Finally, after providing an example of how digital technologies can be applied to history of architecture research, we present some strategies, reflections and future lines to be pursued. These point towards
the suitability of technologies as new research tools which open possible new pathways for disciplinary collaboration, progress in analytical methods and future reflections on managing the data created.

Keywords
digital humanities, history of architecture, information technologies, geographic information system, graphs

Article Details

How to Cite
Ferreira-Lopes, Patricia. “The transformation of the research process in history of architecture through the use of digital technologies”. Artnodes, no. 22, doi:10.7238/a.v0i22.3218.
Author Biography

Patricia Ferreira-Lopes, Universidad de Sevilla

Degree in Architecture and Town Planning (2009). Master's Degree in the Pathology of Construction and specialisation in Economic Management and Expertise in Restoration from the Polytechnic University of Madrid (2010), Master's Degree in Architecture and Historical Heritage from the School of Architecture (ETSA) at Seville University (in collaboration with the Andalusian Historical Heritage Institute (IAPH) and the Board of Trustees of the Alhambra and Generalife, 2012). She is a member of the teaching staff and trainee researcher at the ETSA in Seville. She is currently a member of the research projects “Sustainable guardianship of cultural heritage through the BIM and GIS digital models. Contribution to knowledge and social innovation” (HAR2016-78113-R) led by Francisco Pinto Puerto, and “Diego de Riaño, Diego Siloe and the Transition from the Gothic to the Renaissance in Spain. Architecture and City: Technique, Language and Spatial Conception” (HAR2016-76371-P) led by Juan Clemente Rodríguez Estévez and Antonio Luis Ampliato Briones. Member of the research group HUM-799 – Strategies in Heritage Knowledge in the Department of Graphic Architectural Expression at the ETSA in the University of Seville. She is a member of the Late Gothic Network (Thematic Network for Cooperative Research into Late Gothic Art. 15th-16th Centuries) and the DOCOGOTHIC Network (Network for the documentation of Late Gothic construction). Throughout her research career, she has combined collaborations and stays in different national and international Centres, including the following: University of Western Ontario, University of the Bass Country, Vrije Universiteit Amsterdam, University of Lisbon and the Polytechnic University of Madrid. The general lines of research on which she is currently working include methodological analyses of heritage and criteria, methods and techniques for conservation, intervention and heritage management using GIS technologies, data visualisation and the application of ICTs in research into the history of architecture.

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