The net.art arena and its reception: the process of appreciating the work of JODI
Article Sidebar
Google Scholar citations
Main Article Content
This article presents a study of JODI’s work, based on analysis both of the aesthetics and some of the key episodes in the process of appreciating and acknowledging their work in the net.art arena. It essentially reflects on the reception net.art has had through a wide-ranging look at its environment (the artists, critics, curators, journalists, professors, specialised festivals, etc.), which obviously also includes the traditional art world (the galleries, museums, etc.). A series of interviews with representatives of these diverse areas has allowed for this wide range of perspectives.
Keywords:
Article Details
Copyright
For all articles published in Artnodes that are subject to a Creative Commons Attribution 4.0 International licence, copyright is retained by the author(s). The complete text the license can be consulted at http://creativecommons.org/licenses/by/4.0/. You may copy, distribute, transmit and adapt the work, provided you attribute it (authorship, journal name, publisher) in the manner specified by the author(s) or licensor(s).
Authors are responsible for obtaining the necessary licences for the images that are subject to copyright.
Assignment of intellectual property rights
The author non exclusively transfers the rights to use (reproduce, distribute, publicly broadcast or transform) and market the work, in full or part, to the journal’s editors in all present and future formats and modalities, in all languages, for the lifetime of the work and worldwide.
I hereby declare that I am the original author of the work. The editors shall thus not be held responsible for any obligation or legal action that may derive from the work submitted in terms of violation of third parties’ rights, whether intellectual property, trade secret or any other right.
Similar Articles
- Morten Søndergaard, Laura Beloff, Living biotechnical lives: noise, parasites, and relational practices , Artnodes: No. 30
- José Ramón Alcalá Mellado, Digital narratives at the International Museum of Electrography of Cuenca. A case study: Sotos, an interactive multimedia creation from Fred Adam , Artnodes: No. 20: (December 2017). NODE 20. Art and Research (Editors: Pau Alsina, Ana Rodríguez, Irma Vilà Òdena)
- Boris Groys, On the New , Artnodes: No. 2 (2003): NODE 2. Art and New Media
- Diego Díaz, Clara Boj, A critical approach to Machine Learning forecast capabilities: creating a predictive biography in the age of the Internet of Behaviour (IoB) , Artnodes: No. 31: (January 2023). NODE 31. Possibles II (Editors: Pau Alsina & Andrés Burbano)
- Carolina Fernández Castrillo, The transreal condition: expanded information and hacktivism in Media Art , Artnodes: No. 28: (July 2021). NODE 28. In the limits of what is possible: art, science and technology (Guest Editors: Paloma Díaz, Andrea García)
- Sergio Martínez Luna, The in-betweenness of art and education: Collaborations, experimentalism, and interdisciplinarity , Artnodes: No. 17: (June 2016). NODE 17. Art and Education (Editor: Aida Sánchez de Serdio)
- María Alejandra Crescentino, Video Art in the Southern Cone. Festivals, archives, and remediation of the analogue past , Artnodes: No. 31: (January 2023). NODE 31. Possibles II (Editors: Pau Alsina & Andrés Burbano)
- Víctor G. Peco, Nerea Garzón-Arenas, José Carlos Espinel, Concha Herrero, Sculpture and New Technologies in Scientific Educational Outreach: 3D Foraminiferal Models as a Referent of Ocean Acidification and Climate Change , Artnodes: No. 28: (July 2021). NODE 28. In the limits of what is possible: art, science and technology (Guest Editors: Paloma Díaz, Andrea García)
- Steve Sacks, On software art in art galleries , Artnodes: No. 3 (2004): NODE 3. Heterotipies
- Francisco Javier Lázaro, Jacobo Henar, Manifestos for committed art in the digital age , Artnodes: No. 25: (January 2020). NODE 25. Dialogs Between Art and Fundamental Science (Guest Editors: M. Bello & A. Gracie)
<< < 2 3 4 5 6 7 8 9 10 11 > >>
You may also start an advanced similarity search for this article.