INCUBATOR Lab: Re-Imagining our Biotech Future Through Art / Science Research
Article Sidebar
Main Article Content
INCUBATOR: Hybrid Laboratory at the Intersection of Art, Science and Ecology, is a bioart research and teaching facility housed in the School of Creative Arts at University of Windsor in Canada. Founded in 2009 by Dr. Jennifer Willet, INCUBATOR houses ongoing student and faculty bioart projects, science and technology studies research, and special events investigating the intersection of biotechnology, art and ecology. This paper traces for readers the fundamental conceptual premise of INCUBATOR lab activities, the complex ecological entanglement between contemporary laboratory practices and our planetary ecology as a case study to elucidate the research/creation process at play within the lab.
Keywords:
Article Details
Copyright
For all articles published in Artnodes that are subject to a Creative Commons Attribution 4.0 International licence, copyright is retained by the author(s). The complete text the license can be consulted at http://creativecommons.org/licenses/by/4.0/. You may copy, distribute, transmit and adapt the work, provided you attribute it (authorship, journal name, publisher) in the manner specified by the author(s) or licensor(s).
Authors are responsible for obtaining the necessary licences for the images that are subject to copyright.
Assignment of intellectual property rights
The author non exclusively transfers the rights to use (reproduce, distribute, publicly broadcast or transform) and market the work, in full or part, to the journal’s editors in all present and future formats and modalities, in all languages, for the lifetime of the work and worldwide.
I hereby declare that I am the original author of the work. The editors shall thus not be held responsible for any obligation or legal action that may derive from the work submitted in terms of violation of third parties’ rights, whether intellectual property, trade secret or any other right.
Similar Articles
- Predrag K. Nikolić, Giacomo Bertin, AI.R Taletorium: Artificial Intelligence 1001 Cyber Nights , Artnodes: No. 31: (January 2023). NODE 31. Possibles II (Editors: Pau Alsina & Andrés Burbano)
- Esther Pizarro Juanas, Ecologies of saturation. Artistic research: Space Debris :: Waste Constellations , Artnodes: No. 31: (January 2023). NODE 31. Possibles II (Editors: Pau Alsina & Andrés Burbano)
- Diego Díaz, Clara Boj, Artistic practices in the age of the datacene. Data Biography: digital traces to biographically explore personal identity , Artnodes: No. 24: (July 2019). NODE 24. After post-truth (Editor.: Jorge Luis Marzo)
- Elena Álvarez Mellado, Leticia Martín-Fuertes Moreno, Aracne: a study of linguistic variation in the Spanish press between 1914 and 2014 , Artnodes: No. 22: (November 2018). NODE 22. Digital Humanities: societies, policies, knowledge (Editor: Nuria Rodríguez-Ortega)
- Gerard Vilar, Cognitive Progress in Artistic Research , Artnodes: No. 20: (December 2017). NODE 20. Art and Research (Editors: Pau Alsina, Ana Rodríguez, Irma Vilà Òdena)
- Rick Dolphijn, The Cracks of the Contemporary , Artnodes: No. 19: (June 2017). NODE 19. Art and speculative futures (coord.: Ana Rodriguez Granell)
- Umberto Roncoroni Osio, Veronica Crousse Rastelli, Augmented virtuality: emerging processes, art and digital media , Artnodes: No. 17: (June 2016). NODE 17. Art and Education (Editor: Aida Sánchez de Serdio)
- Andres E. Burbano, Esteban García, Breaking the Navajo Code with Bill Toledo , Artnodes: No. 16: (November 2015). NODE 16. Art Matters II (Editor: Ana Rodríguez Granell)
- Ana Rodriguez Granell, Pau Alsina, Introduction , Artnodes: No. 16: (November 2015). NODE 16. Art Matters II (Editor: Ana Rodríguez Granell)
- Umberto Luigi Roncoroni Osio, Notes on art overproduction, post-photography and the digital , Artnodes: No. 14: (November 2014). NODE 14. New Feminist Materialism (Editor: Ana Rodríguez Granell)
<< < 15 16 17 18 19 20 21 > >>
You may also start an advanced similarity search for this article.