Anamorphosis in contemporary art Analysing new ways for its application in art projects by current artists

Main Article Content

Jose-Antonio Soriano-Colchero

Anamorphosis is a kind of mathematic perspective studied by European artists and intellectuals from the 16th century to the 17th century when the final method was published. The mysterious aura which characterised this system was replaced by its regard as mere entertainment due to its popularization in the 18th century, when it reached a great widespread among the population in cabinets of curiosities and Kunst-und Wunderkammeern. However, anamorphosis is still being studied and applied to contemporary art projects. This article focuses on the different technical and conceptual possibilities of its application through a wide range of current artists who demonstrate that this kind of images still have much to offer to the field of artistic creation: Catoptric and optical anamorphosis become real in sculpture, photography and painting of street artists as well as those related to art galleries. With this study we deduce that the application of this system to contemporary art links these works to questions about the veracity of visual perception, a key that enables us to create critical judgments regarding the contemporary mass media to which we are constantly exposed.

Keywords
Anamorphosis, Trompe l'oeil, Quadratura, Contemporary Art, Optical Illusion

Article Details

How to Cite
Soriano-Colchero, Jose-Antonio. “Anamorphosis in contemporary art: Analysing new ways for its application in art projects by current artists”. Artnodes, no. 28, doi:10.7238/a.v0i28.381600.
Author Biography

Jose-Antonio Soriano-Colchero, University of Granada

Holder of a doctorate from the University of Granada, with Cum Laude and International Doctorate mentions; multidisciplinary artist; lecturer and researcher in the Department of Drawing at the Faculty of Fine Arts, University of Granada, since 2016. Member of the Hum866 Research Group: Design Drawing. He is currently collaborating on the (ARS&URBS) project Pictorial Representation of the City. From the 16th Century to the 19th Century: Perspectives, Chorographies and Panoramas (HAR2016-78298-P). International stay at the Università di Roma La Sapienza (2018). His research is specialised in the theoretical - practical study (historic and current) of the principal space representation systems that are applied to the plastic arts in accordance with the spatial-temporal contexts, focusing this knowledge on contemporary art. The author of various publications in journals, book chapters, as well as participations in international conferences. His artistic production has been published in the catalogues of both individual and group exhibitions.

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