Media art history/stories
Article Sidebar
Google Scholar citations
Main Article Content
The signs are that we are witnessing a blooming of the “digital humanities”. Technology is reshaping and remodelling traditional research, teaching and outreach in humanities and introducing new methods, techniques and even epistemological frameworks that reflect a new image of knowledge always under construction. Art history faces similar challenges in terms of hybridizing the possibilities offered by the ICTs, but also faces an additional challenge of having to chronicle a set of artistic practices that are directly associated with the media (including the digital media), namely, media art, which has already acquired a few decades of a history of its own.
Article Details
Copyright
For all articles published in Artnodes that are subject to a Creative Commons Attribution 4.0 International licence, copyright is retained by the author(s). The complete text the license can be consulted at http://creativecommons.org/licenses/by/4.0/. You may copy, distribute, transmit and adapt the work, provided you attribute it (authorship, journal name, publisher) in the manner specified by the author(s) or licensor(s).
Authors are responsible for obtaining the necessary licences for the images that are subject to copyright.
Assignment of intellectual property rights
The author non exclusively transfers the rights to use (reproduce, distribute, publicly broadcast or transform) and market the work, in full or part, to the journal’s editors in all present and future formats and modalities, in all languages, for the lifetime of the work and worldwide.
I hereby declare that I am the original author of the work. The editors shall thus not be held responsible for any obligation or legal action that may derive from the work submitted in terms of violation of third parties’ rights, whether intellectual property, trade secret or any other right.
Pau Alsina (Coord.), Arts and Humanities Department. Open University of Catalonia
Professor dels Estudis d'Arts i Humanitats. Universitat Oberta de CaralunyaSimilar Articles
- Alejandro Lozano, Modalities and aesthetics of waiting in video games , Artnodes: No. 30
- Florian Cramer, speculative photography , Artnodes: No. 34: (July 2024). NODE 34. Materiology and variantology: invitation to dialogue (guest editors: Siegfried Zielinski & Daniel Irrgang)
- Jorge David García, Does it mean anything to anthropologists? Applications of artistic research in the field of anthropological sciences , Artnodes: No. 21: (June 2018). NODE 21. Media Archaeology (Editors: Pau Alsina, Ana Rodríguez, Vanina Hofman)
- Mónica Bello Bugallo, Andy Gracie, Black Holes and Objectivity , Artnodes: No. 25: (January 2020). NODE 25. Dialogs Between Art and Fundamental Science (Guest Editors: M. Bello & A. Gracie)
- José María de Luelmo Jareño, The iconoclastic machine in the digital age , Artnodes: No. 28: (July 2021). NODE 28. In the limits of what is possible: art, science and technology (Guest Editors: Paloma Díaz, Andrea García)
- Jordi Alberich Pascual, Gemma San Cornelio Esquerdo, Beyond Simulation As Substitution: From Mixed Reality To Ego-Shots , Artnodes: No. 12: (November 2012). NODE 12. Materiality (Editor: Pau Alsina)
- Mikel Otxoteko, The environmental dimension of images. The environment-image and its principal concepts , Artnodes: No. 26: (July 2021). NODE 26. AI, Arts & Design: Questioning Learning Machines (Guest Editors: A. Burbano & R. West)
- Paula Fernández Valdés, Achieving cultural sustainability through the preservation of video art: open distribution platforms , Artnodes: No. 31: (January 2023). NODE 31. Possibles II (Editors: Pau Alsina & Andrés Burbano)
- Darío Lanza Vidal, Models of interaction between science and art: subordination and transfer , Artnodes: No. 32: (July 2023). NODE 32. Possibles III (Editors: Pau Alsina & Andrés Burbano)
- Ivan Flores Arancibia, Begonya Saez Tajafuerce, The trauma of the inert. Notes for a new parasitology , Artnodes: No. 27: (January 2021). Node 27. Arts in the Time of Pandemic (Guest Editors: Laura Benítez & Erich Berger)
<< < 16 17 18 19 20 21 22 23 24 25 > >>
You may also start an advanced similarity search for this article.