Arte, redes y cooperación
Article Sidebar
Main Article Content
Working from a conception of net.art as a set of collaborative practices, which can also be found offline, we look at an activity done in different workshops in order to examine co-operation and non-linearity – two important aspects in much net.art work and which are to be found in the artistic research carried out by the Taller d'Intangibles ("Intangible Workshop")
Article Details
Copyright
For all articles published in Artnodes that are subject to a Creative Commons Attribution 4.0 International licence, copyright is retained by the author(s). The complete text the license can be consulted at http://creativecommons.org/licenses/by/4.0/. You may copy, distribute, transmit and adapt the work, provided you attribute it (authorship, journal name, publisher) in the manner specified by the author(s) or licensor(s).
Authors are responsible for obtaining the necessary licences for the images that are subject to copyright.
Assignment of intellectual property rights
The author non exclusively transfers the rights to use (reproduce, distribute, publicly broadcast or transform) and market the work, in full or part, to the journal’s editors in all present and future formats and modalities, in all languages, for the lifetime of the work and worldwide.
I hereby declare that I am the original author of the work. The editors shall thus not be held responsible for any obligation or legal action that may derive from the work submitted in terms of violation of third parties’ rights, whether intellectual property, trade secret or any other right.
Similar Articles
- Pedro Ortuño-Mengual, Gloria Lapeña-Gallego, Walls as documents for remembering in the face of censorship. Case study: The Des/Aparicions project by Antoni Muntadas , Artnodes: No. 23: (January 2019). NODE 23. Media Archaeology II / Digital Humanities II (Editor: Ana Rodriguez Granell)
- Thomas Zummer, Remarks on Certain Affinities and Differences Between Aesthetic and Scientific Practices , Artnodes: No. 25: (January 2020). NODE 25. Dialogs Between Art and Fundamental Science (Guest Editors: M. Bello & A. Gracie)
- Augusto Zubiaga, Lourdes Cilleruelo, Games of emulation: Ideological framework for an electronic neural architecture of biological inspiration , Artnodes: No. 25: (January 2020). NODE 25. Dialogs Between Art and Fundamental Science (Guest Editors: M. Bello & A. Gracie)
- Roger Malina, International networks of art, science and technology , Artnodes: No. 4: (July 2005). NODE 4. Calculability (Editor: Pau Alsina)
- Sara Coleman, Traversing the Net. Art, Textiles and digital technology , Artnodes: No. 30
- Sergio Martínez Luna, The in-betweenness of art and education: Collaborations, experimentalism, and interdisciplinarity , Artnodes: No. 17: (June 2016). NODE 17. Art and Education (Editor: Aida Sánchez de Serdio)
- Carolina Fernández Castrillo, The transreal condition: expanded information and hacktivism in Media Art , Artnodes: No. 28: (July 2021). NODE 28. In the limits of what is possible: art, science and technology (Guest Editors: Paloma Díaz, Andrea García)
- Josephine Berry, Bare Code: Net Art and the Free Software Movement , Artnodes: No. 3 (2004): NODE 3. Heterotipies
- María Alejandra Crescentino, Video Art in the Southern Cone. Festivals, archives, and remediation of the analogue past , Artnodes: No. 31: (January 2023). NODE 31. Possibles II (Editors: Pau Alsina & Andrés Burbano)
- Valentina Montero, Vanina Hofman, Media Art in Latin America and Fabián Taranto’s “Search in Progress”: Politics, Participation and Memory , Artnodes: No. 13: (November 2013). NODE 13. Media art history/stories (Editors: Ana Rodríguez Granell, Pau Alsina)
<< < 1 2 3 4 5 6 7 8 9 10 > >>
You may also start an advanced similarity search for this article.