Visualization and interactive applications for texts and reading
Article Sidebar
Main Article Content
With a lot of his text printings as scenario, W.Bradford Paley reveals the theories and creative ideas bringing him to the creation of these artistic compositions, where the text acquires different capabilities. Paley is investigating and working in two different but connected ways, one is interactive text, in order to give users the opportunity to get inside the composition and discover the discourse of the text by surfing throw the key words, rubber bands and so on. And the other way is a printing of the text composition, displayed in a way that makes your eyes move around looking for the sense of the paragraphs. In a way, this text is coming to your eyes, as Paley says, the same way as when you look at nature. W. Bradford Paley is founder of Digital Image Design Incorporated, creator of TextArc.org and associate professor at Columbia University.
Watch the video interview [YouTube - 11 min]
Article Details
Copyright
For all articles published in Artnodes that are subject to a Creative Commons Attribution 4.0 International licence, copyright is retained by the author(s). The complete text the license can be consulted at http://creativecommons.org/licenses/by/4.0/. You may copy, distribute, transmit and adapt the work, provided you attribute it (authorship, journal name, publisher) in the manner specified by the author(s) or licensor(s).
Authors are responsible for obtaining the necessary licences for the images that are subject to copyright.
Assignment of intellectual property rights
The author non exclusively transfers the rights to use (reproduce, distribute, publicly broadcast or transform) and market the work, in full or part, to the journal’s editors in all present and future formats and modalities, in all languages, for the lifetime of the work and worldwide.
I hereby declare that I am the original author of the work. The editors shall thus not be held responsible for any obligation or legal action that may derive from the work submitted in terms of violation of third parties’ rights, whether intellectual property, trade secret or any other right.
Similar Articles
- Raquel Caerols Mateo, Beatriz Escribano, Medialab Madrid 2002-2006. Participatory culture and social activism in Madrid , Artnodes: No. 24: (July 2019). NODE 24. After post-truth (Editor.: Jorge Luis Marzo)
- Rene G. Cepeda, Making a Manual: The Manual for the Curation and Display of Interactive New Media Art , Artnodes: No. 31: (January 2023). NODE 31. Possibles II (Editors: Pau Alsina & Andrés Burbano)
- Ramon Parramon Arimany, Eugènia Agustí, Jo Milne, Eloi Puig, Artistic production based on processes that coexist within temporary contexts , Artnodes: No. 29: (January 2022). NODE 29. Ecology of the imagination (Guest Editor: Marina Garcés)
- Louise Mackenzie, Robertina Šebjanič, Karolina Żyniewicz, Isabel Burr Raty, Dalila Honorato, Staying in Touch: case study of artistic research during the COVID-19 lock-down , Artnodes: No. 27: (January 2021). Node 27. Arts in the Time of Pandemic (Guest Editors: Laura Benítez & Erich Berger)
- Antonio Labella, Salvador Sancha, Maria Cuevas, Heterochronicity. Cronos under debate , Artnodes: No. 22: (November 2018). NODE 22. Digital Humanities: societies, policies, knowledge (Editor: Nuria Rodríguez-Ortega)
- Santiago Morilla, Towards a post-locative art , Artnodes: No. 31: (January 2023). NODE 31. Possibles II (Editors: Pau Alsina & Andrés Burbano)
- Marina Pastor, Moises Mañas, Media-apocalypse. Dissection, regeneration, and repair: agents for the development of technocratic-ludic zombie systems , Artnodes: No. 21: (June 2018). NODE 21. Media Archaeology (Editors: Pau Alsina, Ana Rodríguez, Vanina Hofman)
- Ebru Yetişkin, İsmail Yiğit, Didem Ermiş, Artistic research within a lab of possibilities: exploring post-digital ignorance in “a’21 amberNetworkFestival” , Artnodes: No. 30
- Sandra Cuevas, Reynaldo Thompson, Tirtha Mukhopadhyay, Aesthetics of hallucination: ontology of visual kaleidoscopes from the Age of Myth to virtual reality , Artnodes: No. 32: (July 2023). NODE 32. Possibles III (Editors: Pau Alsina & Andrés Burbano)
- Carolina Fernández-Castrillo, Machinolatry and posthuman creativity between futurism, generative art and artificial intelligence , Artnodes: No. 34: (July 2024). NODE 34. Materiology and variantology: invitation to dialogue (guest editors: Siegfried Zielinski & Daniel Irrgang)
You may also start an advanced similarity search for this article.