Undermining Media
Article Sidebar
Google Scholar citations
Main Article Content
A distinction between the terms medium and media, as can be found in the work of Marshall McLuhan, is taken as the starting point for developing a materialist theory of media. Media, as 'cultural techniques', are understood to be undermined by the material contingencies of the medium which constitutes an indifferent channel for symbolic content. This process of undermining reveals something of the medium itself as an affective and influential matter. The affective potential and occasional surfacing of the medium as material substrate is explored through the work of three artists: Will Schrimshaw, Martin Howse and Jonathan Kemp.
Keywords:
Article Details
Copyright
For all articles published in Artnodes that are subject to a Creative Commons Attribution 4.0 International licence, copyright is retained by the author(s). The complete text the license can be consulted at http://creativecommons.org/licenses/by/4.0/. You may copy, distribute, transmit and adapt the work, provided you attribute it (authorship, journal name, publisher) in the manner specified by the author(s) or licensor(s).
Authors are responsible for obtaining the necessary licences for the images that are subject to copyright.
Assignment of intellectual property rights
The author non exclusively transfers the rights to use (reproduce, distribute, publicly broadcast or transform) and market the work, in full or part, to the journal’s editors in all present and future formats and modalities, in all languages, for the lifetime of the work and worldwide.
I hereby declare that I am the original author of the work. The editors shall thus not be held responsible for any obligation or legal action that may derive from the work submitted in terms of violation of third parties’ rights, whether intellectual property, trade secret or any other right.
William Christopher Schrimshaw, Independent
Will Schrimshaw is an artist, researcher and drummer. Working with sound amidst a larger vibrational continuum, his work is broadly concerned with the subliminal influence of backgrounds and the imperceptible determinants of space and place. In 2011 he completed a PhD in Philosophy and Architecture at Newcastle University, focusing upon ideas of acoustic space and auditory influence within architectural and artistic practice. He teaches courses on sonic interaction and sound design and has completed a number of residencies, solo and group exhibitions, performances and workshops throughout Europe.Similar Articles
- Carolina Fernández Castrillo, The transreal condition: expanded information and hacktivism in Media Art , Artnodes: No. 28: (July 2021). NODE 28. In the limits of what is possible: art, science and technology (Guest Editors: Paloma Díaz, Andrea García)
- Marc Kosciejew, Documenting and materialising art: conceptual approaches of documentation for the materialisation of art information , Artnodes: No. 19: (June 2017). NODE 19. Art and speculative futures (coord.: Ana Rodriguez Granell)
- Moisés Mañas Carbonell, María José Martínez de Pisón Ramón, Laboratorio de Luz. Over 30 years of research in art, science and technology in the Spanish landscape , Artnodes: No. 31: (January 2023). NODE 31. Possibles II (Editors: Pau Alsina & Andrés Burbano)
- Erkki Huhtamo, Beginning and Developement of Media Archaeology , Artnodes: No. 5: (September 2006). NODE 5. Interviews (Editors: Pau Alsina, Pau Waelder)
- Wolfgang Ernst, Radical Media Archaeology (its epistemology, aesthetics and case studies) , Artnodes: No. 21: (June 2018). NODE 21. Media Archaeology (Editors: Pau Alsina, Ana Rodríguez, Vanina Hofman)
- Carolina Fernández-Castrillo, Diego Mantoan, An archaeology of media artivism: attempting to draft the history of digital culture for social change , Artnodes: No. 33: (January 2024). NODE 33. Media Artivism: On the Archaeology and History of Digital Culture for Social Change (Guest Editors: Carolina Fernández-Castrillo & Diego Mantoan)
- Ana Urroz-Osés, Laura Baigorri Ballarín, Artivism and first tactical uses of the net: from infowar to guerrilla communication , Artnodes: No. 33: (January 2024). NODE 33. Media Artivism: On the Archaeology and History of Digital Culture for Social Change (Guest Editors: Carolina Fernández-Castrillo & Diego Mantoan)
- Rama Carl Hoetzlein, Knowledge Cultures in New Media Art , Artnodes: No. 31: (January 2023). NODE 31. Possibles II (Editors: Pau Alsina & Andrés Burbano)
- Antonio Labella, Salvador Sancha, Maria Cuevas, Heterochronicity. Cronos under debate , Artnodes: No. 22: (November 2018). NODE 22. Digital Humanities: societies, policies, knowledge (Editor: Nuria Rodríguez-Ortega)
- Ebru Yetişkin, İsmail Yiğit, Didem Ermiş, Artistic research within a lab of possibilities: exploring post-digital ignorance in “a’21 amberNetworkFestival” , Artnodes: No. 30
<< < 1 2 3 4 5 6 7 8 9 10 > >>
You may also start an advanced similarity search for this article.