Surveillance systems in interactive installations
Article Sidebar
Google Scholar citations
Main Article Content
It is a computer-controlled spotlight that alights on people in a public space. It is an interesting exploration into how people react when they are in the spotlight. Some people really enjoy it, in a kind of celebrity way, some people get really scared of it in a very surrealist kind of way. It is interesting that both reactions come out of the same thing.
Watch the video interview [YouTube - 1 min]
Article Details
Copyright
For all articles published in Artnodes that are subject to a Creative Commons Attribution 4.0 International licence, copyright is retained by the author(s). The complete text the license can be consulted at http://creativecommons.org/licenses/by/4.0/. You may copy, distribute, transmit and adapt the work, provided you attribute it (authorship, journal name, publisher) in the manner specified by the author(s) or licensor(s).
Authors are responsible for obtaining the necessary licences for the images that are subject to copyright.
Assignment of intellectual property rights
The author non exclusively transfers the rights to use (reproduce, distribute, publicly broadcast or transform) and market the work, in full or part, to the journal’s editors in all present and future formats and modalities, in all languages, for the lifetime of the work and worldwide.
I hereby declare that I am the original author of the work. The editors shall thus not be held responsible for any obligation or legal action that may derive from the work submitted in terms of violation of third parties’ rights, whether intellectual property, trade secret or any other right.
Similar Articles
- Jorge Luis Marzo Perez, The “liquid” genealogy of the interface , Artnodes: No. 16: (November 2015). NODE 16. Art Matters II (Editor: Ana Rodríguez Granell)
- Ruth West, Andres Burbano, AI, Arts & Design: Questioning Learning Machines , Artnodes: No. 26: (July 2021). NODE 26. AI, Arts & Design: Questioning Learning Machines (Guest Editors: A. Burbano & R. West)
- Amalia Foka, Forging Emotions: a deep learning experiment on emotions and art , Artnodes: No. 31: (January 2023). NODE 31. Possibles II (Editors: Pau Alsina & Andrés Burbano)
- Gemma San Cornelio, Node "Locative Media and Artistic Practice: Explorations on the Ground" , Artnodes: No. 8: (December 2008). NODE 8. Ubiquity (Editor: Gemma San Cornelio)
- Sara Calvete-Lorenzo, Andrés Rozados-Lorenzo, Rocío del Pilar Sosa-Fernández, Imagined reality, the liquid, dystopia, and virtuality in science fiction cinema: Don’t Worry Darling, a case study , Artnodes: No. 33: (January 2024). NODE 33. Media Artivism: On the Archaeology and History of Digital Culture for Social Change (Guest Editors: Carolina Fernández-Castrillo & Diego Mantoan)
- José Vicente Martín Martínez, Sergio Luna Lozano, The synthetic face. Representation strategies for the artificial portrait , Artnodes: No. 23: (January 2019). NODE 23. Media Archaeology II / Digital Humanities II (Editor: Ana Rodriguez Granell)
- Diego Díaz, Clara Boj, A critical approach to Machine Learning forecast capabilities: creating a predictive biography in the age of the Internet of Behaviour (IoB) , Artnodes: No. 31: (January 2023). NODE 31. Possibles II (Editors: Pau Alsina & Andrés Burbano)
- Shuai Xu, Zhe Wang, Diffusion: Emotional Visualization Based on Biofeedback Control by EEG , Artnodes: No. 28: (July 2021). NODE 28. In the limits of what is possible: art, science and technology (Guest Editors: Paloma Díaz, Andrea García)
- Slavko Kacunko, Immediation , Artnodes: No. 21: (June 2018). NODE 21. Media Archaeology (Editors: Pau Alsina, Ana Rodríguez, Vanina Hofman)
- Ebru Yetişkin, İsmail Yiğit, Didem Ermiş, Artistic research within a lab of possibilities: exploring post-digital ignorance in “a’21 amberNetworkFestival” , Artnodes: No. 30
<< < 1 2 3 4 5 6 7 8 9 10 > >>
You may also start an advanced similarity search for this article.