Grandes bacterias para microhumanos. Las bacterias como un nexo arqueológico-ecológico para una forma integradora de investigación sanitaria y del patrimonio

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Slavko Kacunko

En este artículo se esbozan algunos aspectos de un modo integrado de investigación sanitaria y del patrimonio, con referencia a la red de investigación titulada Big Bacteria (Grandes bacterias). Su objetivo es establecer una plataforma de investigación interdisciplinaria entre las ciencias de la naturaleza y de la salud, las disciplinas artísticas y las humanidades, con el objetivo de fortalecer estas últimas a la luz de los rápidos avances biotecnológicos y las concepciones del mundo asociadas a ellas. El texto presenta los puentes metodológicos necesarios y un caso modelo cuya ambición es presentar el recurso «transitorio» entre el arte y las ciencias, denominado «microhumanidades». Su meta primordial es complementar el enfoque cultural visual con el enfoque basado en la cultura material. Dado que la bacteria como res vivens presenta una forma de organización que es responsable de la interpretación y la alteración de los procesos en los que está implicada, sirve de modelo central para la individuación, la entidad y la identidad, sistemas de observación e interpretación. Siendo los organismos más antiguos, pequeños, abundantes y simples estructuralmente, las bacterias son ubicuas, diversas y variables, además de vitales para el resto de formas de vida. Tienen que tratarse no solo como motivos, metáforas y modelos de conocimiento indispensables, sino también cada vez más como materiales, medios y métodos para su adquisición. Tal y como su taxonomía inequívocamente sugiere, las bacterias son los hechos de la materia viva que cambia y siente de forma constante. La contribución se centra en un caso importante de entidad bacteriana que sistematizar y relacionar con la investigación en bioremediación y biodeterioro (desglose de materiales por acción microbiana).


 

Palabras clave
bacteriología y arte, salud y patrimonio, biodeterioro y bioremediación, Coliseo

Article Details

Cómo citar
Kacunko, Slavko. «Grandes bacterias para microhumanos. Las bacterias como un nexo arqueológico-ecológico para una forma integradora de investigación sanitaria y del patrimonio». Artnodes, n.º 16, doi:10.7238/a.v0i16.2637.
Biografía del autor/a

Slavko Kacunko, Departamento de Arte y Estudios Culturales (IKK) University of Copenhagen

Slavko Kacunko (Ph.D., Dr. habil.) is the author of Culture as Capital (Logos, 2015) and Spiegel. Medium. Kunst (Fink, 2010). His Closed Circuit Videoinstallationen (Logos, 2004) is described as a “milestone in the history of media art” and “the pivotal source book for the decades to come”. His Marcel Odenbach. Konzept, Performance, Video, Installation (Chorus, 1999) is described as an “Art history pioneer achievement in the field of video art” and awarded with the DRUPA-prize 2000.

Kacunko is Professor for Art History and Visual Culture at the Department of Arts and Cultural Studies (IKK), University of Copenhagen. His work has been published in German, English and Croatian and has been translated into Polish, Japanese, and Spanish. Kacunko has furthermore authored monographs Wiederholung, Differenz und infinitesimale Ästhetik. Matthias Neuenhofer (2012), Las Meninas Transmedial (VDG 2001), Dieter Kiessling (2001), as well as a number of articles.
Key foci of his scientific profile are Process Arts (video, performance, installation, net art), Visual Studies and its Boundaries, an interdisciplinary Art History and World Heritage as well as the Historical Dimensions of the Aesthetical Discourse. For his interdisciplinary approaches in Art History and Media Studies he received international recognition.

Kacunko was born in Osijek in Croatia, former Yugoslavia where he studied art history, philosophy and pedagogy. He moved to Germany in 1993 and received a Ph.D. from the University of Düsseldorf (1999). His Ph.D. dissertation (summa cum laude) traces the origins of video, installation and performance art and was the first dissertation on one German video artist. He received the post-doctoral qualification (habilitation with venia legendi for Art History) from the University of Osnabrück with a thesis on the History and Theory of Media Art (2006).
Kacunko has co-founded the first art magazine in Croatia, "Kontura" in 1991 and has been working as a curator, art critics and correspondent as well as lecturer and professor for art history, visual studies, media aesthetics and new philology / media studies. He organized exhibitions, conferences, colloquia and screenings since 1993. Since 2000 he works in the field of artist-based research related to the media of photography, video, bio-media as well as the natural and cultural World Heritage together with Sabine Kacunko.

Kacunko is elected member of Academia Europaea (2014). He received grants from Andrea von Braun Stiftung, Fritz-Thyssen Stifting, Messe Düsseldorf, Universität Düsseldorf, Lufthansa and Goethe Institute. Between 2003 and 2009, Kacunko was a Junior Professor for Art History of the Modern Period at the University of Osnabrück. In addition, Kacunko was a lecturer at Institute for New Philologies at the University of Frankfurt, at Center for Image Science at the Danube University Krems and a Visiting Professor at Institute for Art History, University of Düsseldorf.
Kacunko has a track record of collaborative research projects and networking at international level and has been successful in securing external funding. He has experience in project management, and the organization of international conferences. He has taught students of art, art history, media, film, visual communication, and cultural studies on all levels across both theory and practice orientated programs. He has served on expert panels and international research committees, and was asked to to contribute to international doctorate committees.

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