• Main Navigation
  • Main Content
  • Sidebar
  • Login
    Castellano
    Català
Recerca Musicològica
  • Current
  • Archives
  • Announcements
  • About
    • About the Journal
    • Contact
    • Subjects
  1. Home
  2. Archives
  3. No. 20-21 (2013)

Articles

Felip Pedrell’s presence in the foundational project of the International Musicological Society (1899)

Francesc Bonastre i Bertran

171-193

PDF (Català)

The process of the premiere of the “Prologue” from Els Pirineus by Felip Pedrell in Venice, 1897

Anna Godoy López

195-220

PDF (Català)

The correspondence of César Cui addressed to Felip Pedrell (1893-1912)

Cristina Álvarez Losada

221-267

PDF (Castellano)

The letters of Felip Pedrell Conserved in the Barcelona Museum of Performing Arts

Begoña López

269-276

PDF (Castellano)

Catalan composer Enrique Granados. Analysis of the three concert songs: La Boyra (1900), Cansó d’amor (1902) and Elegia eterna (1912)

Miriam Perandones

277-304

PDF (Castellano)

Spain in Bayreuth : List of the attendees of Wagnerian festivals derived from the Fremdenlisten (1876-1914)

José Ignacio Suárez García

305-329

PDF (Català)

Julián Bautista’s harmonic thinking in theory and practice: from the Estudio comparativo de los principales Tratados de Armonía (1934 to 1935) to Suite all’antica and Barrio de Córdoba

Christiane Heine

331-353

PDF (Català)

Contemporary Galician composition in the United States. Octavio Vázquez

Rosa María Fernández

355-374

PDF (Català)

Monographic articles

Bach and Händel: a Comparison

Alberto Basso

35-45

PDF (Italiano)

Reception of the Music of George Friedrich Händel in 19th century Barcelona

Francesc Bonastre i Bertran

47-81

PDF (Català)

Händel’s training in Germany

Rainer Kleinertz

83-101

PDF (Deutsch)

Reception of the music of Georg Friedrich Händel in Spain: the case of the Musical Archives of the Cathedrals of Zaragoza and the involvement of the Nebra musicians

Antonio Ezquerro Esteban

103-149

PDF (Castellano)

The oratorios of Georg Friedrich Händel

Xavier Daufí

151-167

PDF (Català)

Reviews

WINKELMÜLLER, Marie. Die «Drei Streichquartette» von Juan Crisóstomo de Arriaga: Ein Beitrag zur Beethoven-Rezeption in Paris um 1825. Friburgo de Brisgovia / Berlín / Viena: Rombach Verlag KG, 2009.

Christiane Heine

375-380

PDF (Castellano)

GREGORI, Josep Maria. Musica Caelestis : reflexions sobre música i símbol. Tarragona: Arola, 2012.

Aurèlia Pessarrodona

380-383

PDF (Català)
Raco
Universitat Autònoma de Barcelona logo

About RACO

  • About
  • Inclusion criteria and Editor al Board
  • Statistics
  • Contact

Direct to…

  • Authors
  • Subjects
  • Participant
  • Journals

Information

  • Accessibility
  • Legal note
  • Cookies policy
  • Collaborations

Coordination

CSUC