De l’amor a l’Amor: el salt a la transcendència en l’obra de Joan Vinyoli i Joan Maragall

The aim of this paper is to show the literary influence of Joan Maragall in the poetic work of Joan Vinyoli by analyzing the link between love and Love, a capital leap that Vinyoli risked in the mystic and love diptych Llibre d’amic-Cants d’Abelone, poetizing the transcendental essencialization derived from the love intransitivation, and that Maragall raised, mainly, in El comte Arnau, for the assumption of the fault and the redemption of the character, but also in the poems of the cycle of ‘Haidé’ and in Nausica.