The potential for transmedia theatre

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Mª Ángeles Grande Rosales
Universidad de Granada
María José Sánchez Montes
Universidad de Granada

Throughout the 20th and 21st centuries, theatre as a medium has undergone various technological transformations that have led to new aesthetic and compositional strategies. In addition to this, its growing presence in the network society has led to an assimilation of media that is unprecedented in this new hybrid art form. 


In light of this, this article sets out to analyse, albeit to a small extent, the constellation of theatrical languages that can be found in contemporary society, looking at the relationships that exist between theatre and cyberculture. Some of its most representative manifestations are described here: hyperdrama, digital theatre, cyberperformance and, in particular, the category of transmediality in relation to theatre.


 


 


 

Keywords
cybertheatre, digital theatre, performance art, intermediality, transmediality

Article Details

How to Cite
Grande Rosales, Mª Ángeles; and Sánchez Montes, María José. “The potential for transmedia theatre”. Artnodes, no. 18, doi:10.7238/a.v0i18.3047.
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Author Biographies

Mª Ángeles Grande Rosales, Universidad de Granada

Senior Lecturer at the Department of General Linguistics and Literary Theory at the University of Granada. Her main lines of research are the theory of literature and contemporary theatre, comparative linguistics and cultural criticism, currently with a particular focus on digital humanities and the phenomena of discursive transmediality. She is a member of the Research Group on Literary Theory and its Applications (HUM363). She is also part of the R+D+i Project on Transmedia narratives: new ways of audiovisual fiction, informative communication and performance in the digital era and the Images of Immigration Group (Cicode/La Caixa). Her recent publications include: Tecnologías de la performance digital en Johannes Birringer (2013), De cenizas y diamantes: el universo nihilista de Rodrigo García, Ínsula, 823-824, July (2015), pp. 8-13 and “Mundos que se desvanecen. Tecnoteatros y performatividad”, in Caracteres: estudios culturales y críticos de la esfera digital, 4/2, (2015), pp. 8-17, among others. She currently coordinates the official Ph.D. programme on “Languages, Texts and Contexts” (RD 1393/2007) at the University of Granada.

María José Sánchez Montes, Universidad de Granada

Lecturer at the Department of General Linguistics and Literary Theory at the University of Granada. Dr Sánchez Montes was Director of the Office of University Extension Courses from 2008 to 2015 while also managing the University of Granada’s theatre group and directing the Granada University Theatre Festival, of which the 7th and last edition was held in November 2014. Her research work has centred on the study of performing arts with a particular focus on contemporary theatre theory, the staging of Lorca plays and Hispanic medieval literature in the light of literary theory. She has also researched the work of the writer Francisco Ayala. Her publications include the book chapter “Ayala en Puerto Rico, Puerto Rico en Ayala” and the article “El Libro de buen amor y la tradición popular de la risa”. She has also written a book, “El cuerpo como signo: la transformación de la textualidad en el teatro contemporáneo”, published by Biblioteca Nueva, co-authored a paper with Maria Ángeles Grande Rosales on the evolution of Sara Molina, published in “Fragmentos. Un recorrido por la obra de Sara Molina”, produced an article on Tadeusz Kantor’s presence in Spain, which appeared in an homage to Kantor put together by Mihal Kobialka, and an article entitled “Realidades virtuales: Johannes Birringer” published in the book “Teatro e Internet en la primera década del siglo XXI” in 2013. She is a member of the research project Nar_Trans “Transmedia narratives: new ways of audiovisual fiction, informative communication and performance in the digital era”.

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