Bare Code: Net Art and the Free Software Movement
Article Sidebar
Main Article Content
In this essay Josephine Berry examines seminal net art projects such as Rachel Baker's TM Clubcard, 0100101110101101.org's plagiarisms, I/O/D's Web Stalker and others in relation to the free software movement.
Article Details
Copyright
For all articles published in Artnodes that are subject to a Creative Commons Attribution 4.0 International licence, copyright is retained by the author(s). The complete text the license can be consulted at http://creativecommons.org/licenses/by/4.0/. You may copy, distribute, transmit and adapt the work, provided you attribute it (authorship, journal name, publisher) in the manner specified by the author(s) or licensor(s).
Authors are responsible for obtaining the necessary licences for the images that are subject to copyright.
Assignment of intellectual property rights
The author non exclusively transfers the rights to use (reproduce, distribute, publicly broadcast or transform) and market the work, in full or part, to the journal’s editors in all present and future formats and modalities, in all languages, for the lifetime of the work and worldwide.
I hereby declare that I am the original author of the work. The editors shall thus not be held responsible for any obligation or legal action that may derive from the work submitted in terms of violation of third parties’ rights, whether intellectual property, trade secret or any other right.
Similar Articles
- Raquel Caerols Mateo, Beatriz Escribano, Medialab Madrid 2002-2006. Participatory culture and social activism in Madrid , Artnodes: No. 24: (July 2019). NODE 24. After post-truth (Editor.: Jorge Luis Marzo)
- Ramon Parramon Arimany, Eugènia Agustí, Jo Milne, Eloi Puig, Artistic production based on processes that coexist within temporary contexts , Artnodes: No. 29: (January 2022). NODE 29. Ecology of the imagination (Guest Editor: Marina Garcés)
- Louise Mackenzie, Robertina Šebjanič, Karolina Żyniewicz, Isabel Burr Raty, Dalila Honorato, Staying in Touch: case study of artistic research during the COVID-19 lock-down , Artnodes: No. 27: (January 2021). Node 27. Arts in the Time of Pandemic (Guest Editors: Laura Benítez & Erich Berger)
- Rene G. Cepeda, Making a Manual: The Manual for the Curation and Display of Interactive New Media Art , Artnodes: No. 31: (January 2023). NODE 31. Possibles II (Editors: Pau Alsina & Andrés Burbano)
- Ruth Pagès, The net.art arena and its reception: the process of appreciating the work of JODI , Artnodes: No. 4: (July 2005). NODE 4. Calculability (Editor: Pau Alsina)
- Antonio Labella, Salvador Sancha, Maria Cuevas, Heterochronicity. Cronos under debate , Artnodes: No. 22: (November 2018). NODE 22. Digital Humanities: societies, policies, knowledge (Editor: Nuria Rodríguez-Ortega)
- Pau Waelder, Collecting Intangibles: Marketing Strategies for Net art Works , Artnodes: No. 13: (November 2013). NODE 13. Media art history/stories (Editors: Ana Rodríguez Granell, Pau Alsina)
- Santiago Morilla, Towards a post-locative art , Artnodes: No. 31: (January 2023). NODE 31. Possibles II (Editors: Pau Alsina & Andrés Burbano)
- Marina Pastor, Moises Mañas, Media-apocalypse. Dissection, regeneration, and repair: agents for the development of technocratic-ludic zombie systems , Artnodes: No. 21: (June 2018). NODE 21. Media Archaeology (Editors: Pau Alsina, Ana Rodríguez, Vanina Hofman)
- Sandra Cuevas, Reynaldo Thompson, Tirtha Mukhopadhyay, Aesthetics of hallucination: ontology of visual kaleidoscopes from the Age of Myth to virtual reality , Artnodes: No. 32: (July 2023). NODE 32. Possibles III (Editors: Pau Alsina & Andrés Burbano)
You may also start an advanced similarity search for this article.