THUTOAH - The Holographic Universe Theory of Art History

This text is an edit of the audio transcript of interviews with scientists John Ellis, Alessandra Gnecchi and Wolfgang Lerche from my video, The Holographic Universe Theory of Art History (THUTOAH). THUTOAH investigates the holographic principle and the theory that our universe could be understood as a vast and complex hologram, and hypothesises that, beyond acknowledged art historical contexts and imperatives, artists may have also been unconsciously attempting to describe the holographic nature of the universe. Projecting over 25,000 chronological images from art history (from cave painting to global contemporary art, including outsider and psychedelic art), THUTOAH echoes conceptually the actions of CERN's particle accelerator, the Large Hadron Collider (LHC), accelerating at 25 images per second in a looped sequence. Alongside this colossal library of images is a soundtrack of interviews with, and watercolours by, the scientists at CERN - illustrations and articulations of the holographic principle. THUTOAH hypothesises a reality that has perhaps been intuited over the ages, a reality beyond the already documented intentional depictions of spiritual, mystical or transcendent realities or altered states of consciousness; the reality of the holographic nature of the universe.