Undermining Media
Article Sidebar
Google Scholar citations
Main Article Content
A distinction between the terms medium and media, as can be found in the work of Marshall McLuhan, is taken as the starting point for developing a materialist theory of media. Media, as 'cultural techniques', are understood to be undermined by the material contingencies of the medium which constitutes an indifferent channel for symbolic content. This process of undermining reveals something of the medium itself as an affective and influential matter. The affective potential and occasional surfacing of the medium as material substrate is explored through the work of three artists: Will Schrimshaw, Martin Howse and Jonathan Kemp.
Article Details
Copyright
For all articles published in Artnodes that are subject to a Creative Commons Attribution 4.0 International licence, copyright is retained by the author(s). The complete text the license can be consulted at http://creativecommons.org/licenses/by/4.0/. You may copy, distribute, transmit and adapt the work, provided you attribute it (authorship, journal name, publisher) in the manner specified by the author(s) or licensor(s).
Authors are responsible for obtaining the necessary licences for the images that are subject to copyright.
Assignment of intellectual property rights
The author non exclusively transfers the rights to use (reproduce, distribute, publicly broadcast or transform) and market the work, in full or part, to the journal’s editors in all present and future formats and modalities, in all languages, for the lifetime of the work and worldwide.
I hereby declare that I am the original author of the work. The editors shall thus not be held responsible for any obligation or legal action that may derive from the work submitted in terms of violation of third parties’ rights, whether intellectual property, trade secret or any other right.
William Christopher Schrimshaw, Independent
Will Schrimshaw is an artist, researcher and drummer. Working with sound amidst a larger vibrational continuum, his work is broadly concerned with the subliminal influence of backgrounds and the imperceptible determinants of space and place. In 2011 he completed a PhD in Philosophy and Architecture at Newcastle University, focusing upon ideas of acoustic space and auditory influence within architectural and artistic practice. He teaches courses on sonic interaction and sound design and has completed a number of residencies, solo and group exhibitions, performances and workshops throughout Europe.Similar Articles
- Slavko Kacunko, Big Bacteria for Micro-Humans. Bacteria as an archeological - ecological nexus for an integrative form of health and heritage research , Artnodes: No. 16: (November 2015). NODE 16. Art Matters II (Editor: Ana Rodríguez Granell)
- Pau Alsina, Ana Rodríguez, Vanina Yael Hofman, Becoming of Media Archaeology: paths, knowledge and methodologies , Artnodes: No. 21: (June 2018). NODE 21. Media Archaeology (Editors: Pau Alsina, Ana Rodríguez, Vanina Hofman)
- José Ramón Alcalá Mellado, Digital narratives at the International Museum of Electrography of Cuenca. A case study: Sotos, an interactive multimedia creation from Fred Adam , Artnodes: No. 20: (December 2017). NODE 20. Art and Research (Editors: Pau Alsina, Ana Rodríguez, Irma Vilà Òdena)
- Vanina Hofman, Pau Alsina, Art and speculative futures “What would happen if...?” , Artnodes: No. 19: (June 2017). NODE 19. Art and speculative futures (coord.: Ana Rodriguez Granell)
- Luis David Rivero Moreno, Blockchain culture and digital image precariousness. Questioning NFTs as an art preservation strategy , Artnodes: No. 33: (January 2024). NODE 33. Media Artivism: On the Archaeology and History of Digital Culture for Social Change (Guest Editors: Carolina Fernández-Castrillo & Diego Mantoan)
- Devon Ward, The art of environmental personhood and the possibility of environmental statehood , Artnodes: No. 32: (July 2023). NODE 32. Possibles III (Editors: Pau Alsina & Andrés Burbano)
- Caterina Antonopoulou, Transformations of more-than-human networks and the impact of material objects on tactical media artworks , Artnodes: No. 31: (January 2023). NODE 31. Possibles II (Editors: Pau Alsina & Andrés Burbano)
- Daniel López del Rincón, Lourdes Cirlot, Historizing Bioart, or the Methodological Challenges of (Media) Art History , Artnodes: No. 13: (November 2013). NODE 13. Media art history/stories (Editors: Ana Rodríguez Granell, Pau Alsina)
- Sandra Cuevas, Reynaldo Thompson, Tirtha Mukhopadhyay, Aesthetics of hallucination: ontology of visual kaleidoscopes from the Age of Myth to virtual reality , Artnodes: No. 32: (July 2023). NODE 32. Possibles III (Editors: Pau Alsina & Andrés Burbano)
- Valentina Montero, Vanina Hofman, Media Art in Latin America and Fabián Taranto’s “Search in Progress”: Politics, Participation and Memory , Artnodes: No. 13: (November 2013). NODE 13. Media art history/stories (Editors: Ana Rodríguez Granell, Pau Alsina)
<< < 1 2 3 4 5 6 7 8 9 10 > >>
You may also start an advanced similarity search for this article.