Arte, redes y cooperación
Article Sidebar
Main Article Content
Working from a conception of net.art as a set of collaborative practices, which can also be found offline, we look at an activity done in different workshops in order to examine co-operation and non-linearity – two important aspects in much net.art work and which are to be found in the artistic research carried out by the Taller d'Intangibles ("Intangible Workshop")
Article Details
Copyright
For all articles published in Artnodes that are subject to a Creative Commons Attribution 4.0 International licence, copyright is retained by the author(s). The complete text the license can be consulted at http://creativecommons.org/licenses/by/4.0/. You may copy, distribute, transmit and adapt the work, provided you attribute it (authorship, journal name, publisher) in the manner specified by the author(s) or licensor(s).
Authors are responsible for obtaining the necessary licences for the images that are subject to copyright.
Assignment of intellectual property rights
The author non exclusively transfers the rights to use (reproduce, distribute, publicly broadcast or transform) and market the work, in full or part, to the journal’s editors in all present and future formats and modalities, in all languages, for the lifetime of the work and worldwide.
I hereby declare that I am the original author of the work. The editors shall thus not be held responsible for any obligation or legal action that may derive from the work submitted in terms of violation of third parties’ rights, whether intellectual property, trade secret or any other right.
Similar Articles
- Sonia Dueñas Mohedas, Natalia Martínez Pérez, Bárbara Sarmentera, Media Artivism and gender subversion in South Korea: Siren Eun Young Jung’s “technology of the imagination” , Artnodes: No. 33: (January 2024). NODE 33. Media Artivism: On the Archaeology and History of Digital Culture for Social Change (Guest Editors: Carolina Fernández-Castrillo & Diego Mantoan)
- Nelson Brissac, Critical landscapes. Robert Smithson: art, science and industry , Artnodes: No. 9: (December 2009). NODE 9. Complexity (Editor: Pau Alsina, Josep Perelló)
- Gabriele Cosentino, Berke Alikasifoglu, Post-truth politics in the Middle East: the case studies of Syria and Turkey , Artnodes: No. 24: (July 2019). NODE 24. After post-truth (Editor.: Jorge Luis Marzo)
- Maria Luisa Palumbo, Listening spaces , Artnodes: No. 6: (November 2006). NODE 6. (Editor: Pau Alsina)
- Norberto Fabian Diaz Duarte, Ana Teresa Arciniegas Martínez, NODOS: a research proposal to disseminate the transmedia and multiplatform projects carried out in Colombia between 2009 and 2020 , Artnodes: No. 28: (July 2021). NODE 28. In the limits of what is possible: art, science and technology (Guest Editors: Paloma Díaz, Andrea García)
- Pedro Rolando Apolo Valdivia, The future of the music industry in the era of artificial intelligence , Artnodes: No. 30
- Andres E Burbano, Report of the project Inventions on the edges of history , Artnodes: No. 13: (November 2013). NODE 13. Media art history/stories (Editors: Ana Rodríguez Granell, Pau Alsina)
- Umberto Luigi Roncoroni Osio, Aesthetic and epistemological issues of art-based research , Artnodes: No. 30
- Erkki Huhtamo, Beginning and Developement of Media Archaeology , Artnodes: No. 5: (September 2006). NODE 5. Interviews (Editors: Pau Alsina, Pau Waelder)
- Roy Ascott, When the Jaguar lies down with the Lamb: speculations on the post-biological culture , Artnodes: No. 1 (2002): NODE 1. Art, science and technology
<< < 17 18 19 20 21 22 23 24 25 26 > >>
You may also start an advanced similarity search for this article.