Wilding AI as collective research-creation: resisting narrative and technological closure
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Wilding AI is an ongoing public experiment for sound and media artists, researchers, engineers, students and publics. Collectively, they engage with innovative research-creation epistemologies and methodologies to explore speculative AI futures using large-language models (LLM), generative AI sound and spatialized audio. Wilding AI aims to resist premature attempts at narrative closure and technological stabilization as currently driven by dominant paradigms of generative AI that seek to establish a common, statistical and aesthetic “middle ground”. Instead, we follow B. Coleman’s call for an AI “that can be free – if not to imagine then to generate – speeding through possibilities, junctures that are idiotic until they are not” (Coleman 2021).
In this article, we explore how collaborative artistic practices create spaces to challenge dominant technological narratives and open spaces to develop alternative sociotechnical imaginaries. We discuss the research-creation project Wilding AI, which brings together a collective of media and sound artists and technologists engaged in collaborative artistic and technical creation, with regular participation in public festivals. We narrate the development of the ongoing Wilding AI project from its inception in early 2024 to its milestone open lab during the 2025 edition of the CTM Festival in Berlin, before discussing how the project’s collaborative and public nature provides a foundation for fostering critical narrative and technical engagement with contemporary AI advancements.
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(c) Maurice Jones, Alexandre Saunier, 2025
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Maurice Jones, Humanities PhD Candidate, Concordia University
He is an artist, curator, and researcher based in Tiohtià:ke/Montréal, Canada. He is a PhD candidate at Concordia University, Montréal, with Dr Fenwick McKelvey, where he investigates cross-cultural perceptions of AI, public participation in technology governance and festivals as temporary utopias. Since 2021, Maurice coprograms the MUTEK Forum in Montréal and leads the Future Festivals project. From 2016 to 2022, he served as Artistic Director of MUTEK.JP in Tokyo. Maurice produces immersive, audiovisual works including the Iwakura full-dome piece with Ali M. Demirel and Kazuya Nagaya, Soundscapes of an Earthly Community and feral.ai. Together with Beth Coleman, Maurice initiated the Wilding AI research-creation collective. He presented his research-creation at prestigious institutions, including the Miraikan Museum in Tokyo, the Coreana Museum of Art in Seoul, and the Society for Arts and Technology, and festivals including Ars Electronica, ISEA, transmediale, CTM Festival, SXSW, the MIFF, and MUTEK Mexico City, Montreal, and Tokyo.
Alexandre Saunier, PhD, Professor at LUCA Schools of Arts, KU Leuven
He is an artist and professor in the Audiovisual department at LUCA School of Arts, KU Leuven, and a senior researcher at the Zurich University of the Arts ZHdK. With a deep interest in the theory and history of media arts, cybernetics, AI, and complex systems theory, his work merges artistic practice with academic research, focusing on the interactions between light, sound, autonomous systems and sensory perception. Alexandre holds a PhD from Concordia University, where he studied the contemporary and historical practices of light as an artistic medium driven by real-time computational systems. His previous studies include mathematics and physics, sound design and engineering and research on behavioural robotics and interactive lighting at the ENSAD Lab. Alexandre’s artistic and research work is regularly presented at major international venues, including MUTEK, Elektra BIAN, Festival Internacional de la Imagen, Ars Electronica, ISEA, Impakt Festival, MuffatHalle, Bcn_llum, ALIFE Conference, Media Art History and Nuit Blanche Toronto.
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