Squeaky/Pain: articular l’experiència sentida del dolor per al disseny d’interaccions somaestètiques
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Aquest article il·lustrat mostra les eines metodològiques per articular l’experiència sentida del dolor crònic que s’utilitzen en el disseny d’interaccions somaestètiques. Per això presenta el procés de disseny d’un estudi de cas denominat Squeaky/Pain, una extensió del soma l’objectiu de la qual és augmentar la consciència somaestètica del dolor implícita en l’apreciació de sensacions tant agradables com molestes. L’extensió del soma és un dispositiu portable interactiu que proporciona una interacció so-moviment per reproduir l’experiència de dolor de l’usuari, des del patiment fins a l’alleujament. L’estudi se centra en un aspecte poc explorat de les interaccions somaestètiques: el mesurament d’experiències pertorbadores per a l’apreciació de la consciència sensorial. Amb l’extensió del soma que transmet experiències pertorbadores, l’estudi vol millorar el coneixement somàtic de les persones i, per tant, de les seves vides. El procés de disseny de Squeaky/Pain requereix testimonis detallats d’experiències corporals viscudes per crear interaccions somaestètiques. Per accedir a una narrativa detallada de les experiències sentides es van utilitzar diverses eines per tal d’articular l’experiència de dolor en primera i segona persona per utilitzar-la en el disseny. Són diferents tipus de mapes corporals, anàlisis de vídeos, estudis de materials i formes, diaris, entrevistes en profunditat i autoentrevistes. Les fases d’ideació i prova han demostrat que aquestes eines es complementen entre si per accedir als multifacètics aspectes de les experiències sentides. En aquest article il·lustrat mostrem com es poden aplicar les eines visuals, verbals i escrites per revelar experiències corporals implícites amb la finalitat de conformar el disseny d’interaccions somaestètiques.
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Aquesta obra està sota una llicència internacional Creative Commons Reconeixement-NoComercial-SenseObraDerivada 4.0.
(c) Arife Dila Demir, Kristi Kuusk, Nithikul Nimkulrat, 2022
Arife Dila Demir, Estonian Academy of Arts
L’Arife Dila Demir és estudiant de doctorat a l’Estonian Academy of Arts, on ha obtingut un màster en Disseny Tèxtil. La seva investigació se centra en el disseny somàtic, la somaestètica, l’estètica de la relació corporal, les interaccions basades en el moviment, els tèxtils interactius i el disseny crític i especulatiu. Demir ha treballat com a professora adjunta a l’Estonian Academy of Arts (tardor de 2019). També ha treballat com a dissenyadora de vestuari de tèxtils electrònics en un projecte realitzat conjuntament per un artista i la Tallinn University, finançat per la residència Vertigo STARTS (2019-2020). A més, ha participat com a artista i investigadora en el programa de residències STARTS.EE realitzat pel grup HCI de la Tallinn University en col·laboració amb elektron.art. Recentment ha publicat “AURA: Altering Self-Perception Through Interactive Light Emitting Textiles” a Proceedings of the 11th NordiCHI: Shaping Experiences, Shaping Society (2020) i “‘Squeaky/Pain’: Cultivating Disturbing Experiences and Perspective Transition for Somaesthetic Interactions” a Diseña Journal (2022).
Kristi Kuusk, Estonian Academy of Arts
La Kristi Kuusk és professora adjunta i principal al Grup d’Investigació en Disseny de l’Estonian Academy of Arts. S’interessa en la recerca de futurs alternatius per al disseny de vestuari i tèxtils amb l’aplicació de tecnologia. Combina la pràctica (ha estat seleccionada per col·laborar en dos projectes de la UE: STARTS Residencies i WORTH Partnership Project) amb la presentació i publicació d’investigacions en fòrums internacionals. Les seves últimes publicacions inclouen: “A transdisciplinary collaborative journey leading to sensorial clothing” a CoDesign - International Journal of CoCreation in Design and the Arts (2020) i “Altering One’s Body-perception Through E-Textiles and Haptic Metaphors” a Frontiers in Robotics and AI (2020).
Nithikul Nimkulrat, OCAD University
La Nithikul Nimkulrat és professora adjunta i presidenta en funcions del programa Material Art & Design de la OCAD University del Canadà. Abans del seu nomenament va treballar a l’Estonian Academy of Arts (2013-2018), la Loughborough University (Regne Unit, 2011-2013) i l’Aalto University (Finlàndia, 2004-2010), on va obtenir el doctorat en Disseny el 2009. Les seves últimes publicacions inclouen: “Experiential Craft: Knowing through Analogue and Digital Materials Experience” al llibre Materials Experience 2 (Elsevier, 2021), “Decoloniality of Knowing and Being: Artistic Research Through Collaborative Craft Practice” al llibre Arts-Based Methods for Decolonising Participatory Research (Routledge, 2021), i “Translational Craft: Handmade and Gestural Knowledge in Analogue-Digital Material Practice” a Craft Research (Volum 11, Número 2, 2020). És editora principal del número especial de CoDesign titulat “Knowing Together – Experiential Knowledge and Collaboration” (Volum 16, Número 4, 2020).
Demir, Arife Dila, Nithikul Nimkulrat, and Kristi Kuusk. 2022. “‘Squeaky/Pain’: Cultivating Disturbing Experiences and Perspective Transition for Somaesthetic Interactions.” Diseña 20: 1-19. https://doi.org/10.7764/disena.20.Article.2
Gastaldo, Denise, Natalia Rivas-Quarneti, and Lilian Magalhães. 2018. “Body-Map Storytelling as a Health Research Methodology: Blurred Lines Creating Clear Pictures.” Forum Qualitative Sozialforschung / Forum: Qualitative Social Research, 19(2). https://doi.org/10.17169/fqs-19.2.2858
Given, Lisa M., ed. 2008. The Sage Encyclopedia of Qualitative Research Methods. Los Angeles: Sage Publications.
Gubrium, Jaber, and James Holstein. 2001. Handbook of Interview Research. Thousand Oaks: Sage Publications. https://doi.org/10.4135/9781412973588
Höök, Kristina. 2018. Designing with the Body: Somaesthetic Interaction Design. Cambridge, MA: The MIT Press.
Höök, Kristina, Baptiste Caramiaux, Cumhur Erkut, Jodi Forlizzi, Nassrin Hajinejad, Michael Haller, Caroline Hummels, Katherine Isbister, Martin Jonsson, George Khut, Lian Loke, Danielle Lottridge, Patrizia Marti, Edward Melcer, Florian F. Müller, Marianne G. Petersen, Thecla Schiphorst, Elena M. Segura, Anna Ståhl, Dag Svanæs, Jakob Tholander, and Helena Tobiasson. 2018. “Embracing First-Person Perspectives in Soma-Based Design.” Informatics 5 (1): 8. https://doi.org/10.3390/informatics5010008
Ladores, Sigrid. 2020. “Applying Petitmengin’s Explicitation Interview Method to Elicit the Lived Experience of Breathing Upon Waking by an Individual With Cystic Fibrosis.” Journal of Patient Experience 7 (6): 856–68. https://doi.org/10.1177/2374373520956740
Loke, Lian, and Toni Robertson. 2013. “Moving and Making Strange: An Embodied Approach to Movement-Based Interaction Design.” ACM Transactions on Computer-Human Interaction 20 (1): 1–25. https://doi.org/10.1145/2442106.2442113
McSwite, O.C. 2000. “On the Discourse Movement—A Self Interview.” Administrative Theory & Praxis 22 (1): 49–65. https://doi.org/10.1080/10841806.2000.11643426
Núñez-Pacheco, Claudia, and Lian Loke. 2016. “Felt-Sensing Archetypes: Analysing Patterns of Accessing Tacit Meaning in Design.” In Proceedings of the 28th Australian Conference on Computer-Human Interaction - OzCHI ’16, 462–71. Launceston: ACM. https://doi.org/10.1145/3010915.3010932
Núñez-Pacheco, Claudia, and Lian Loke. 2017. “Tacit Narratives: Surfacing Aesthetic Meaning by Using Wearable Props and Focusing.” In Proceedings of the Eleventh International Conference on Tangible, Embedded, and Embodied Interaction, 233–42. Yokohama: ACM. https://doi.org/10.1145/3024969.3024979
Núñez-Pacheco, Claudia, and Lian Loke. 2020. “Getting into Someone Else’s Soul : Communicating Embodied Experience.” Digital Creativity 31 (4): 245–58. https://doi.org/10.1080/14626268.2020.1835987
Pauwels, Luc, and Dawn Mannay. 2020. The SAGE Handbook of Visual Research Methods. London: Sage Publications. https://doi.org/10.4135/9781526417015
Scarry, Elaine. 1985. The Body in Pain: The Making and Unmaking of the World. Oxford: Oxford University Press.
Shusterman, Richard. 2006. “Thinking through the Body, Educating for the Humanities: A Plea for Somaesthetics.” Journal of Aesthetic Education 40 (1): 1–21. http://www.jstor.org/stable/4140215
Smeenk, Wina, Oscar Tomico, and Koen van Turnhout. 2016. “A Systematic Analysis of Mixed Perspectives in Empathic Design: Not One Perspective Encompasses All.” International Journal of Design 10 (2): 19.
Stanton, Tasha R., and Charles Spence. 2020. “The Influence of Auditory Cues on Bodily and Movement Perception.” Frontiers in Psychology, 17 January 2020. https://doi.org/10.3389/fpsyg.2019.03001
Tennent, Paul, Kristina Höök, Steve Benford, Vasiliki Tsaknaki, Anna Ståhl, Claudia Dauden Roquet, Charles Windlin, Pedro Sanches, Joe Marshall, Christine Li, Juan Pablo Martinez Avila, Miquel Alfaras, Muhammad Umair, and Feng Zhou. 2021. “Articulating Soma Experiences Using Trajectories.” In Proceedings of the 2021 CHI Conference on Human Factors in Computing Systems, 1–16. Yokohama: ACM. https://doi.org/10.1145/3411764.3445482
Valle-Noronha, Julia. 2019. Becoming with Clothes. Activating Wearer-Worn Engagements through Design. Espoo: Aalto School of Art and Design.
Wilde, Danielle, Thecla Schiphorst, and Sietske Klooster. 2011. “Move to Design/Design to Move: A Conversation about Designing for the Body.” Interactions 18 (4): 22–27. https://doi.org/10.1145/1978822.1978828
Demir, Arife Dila, Nithikul Nimkulrat, and Kristi Kuusk. 2022. “‘Squeaky/Pain’: Cultivating Disturbing Experiences and Perspective Transition for Somaesthetic Interactions.” Diseña 20: 1-19. https://doi.org/10.7764/disena.20.Article.2
Gastaldo, Denise, Natalia Rivas-Quarneti, and Lilian Magalhães. 2018. “Body-Map Storytelling as a Health Research Methodology: Blurred Lines Creating Clear Pictures.” Forum Qualitative Sozialforschung / Forum: Qualitative Social Research, 19(2). https://doi.org/10.17169/fqs-19.2.2858
Given, Lisa M., ed. 2008. The Sage Encyclopedia of Qualitative Research Methods. Los Angeles: Sage Publications.
Gubrium, Jaber, and James Holstein. 2001. Handbook of Interview Research. Thousand Oaks: Sage Publications. https://doi.org/10.4135/9781412973588
Höök, Kristina. 2018. Designing with the Body: Somaesthetic Interaction Design. Cambridge, MA: The MIT Press.
Höök, Kristina, Baptiste Caramiaux, Cumhur Erkut, Jodi Forlizzi, Nassrin Hajinejad, Michael Haller, Caroline Hummels, Katherine Isbister, Martin Jonsson, George Khut, Lian Loke, Danielle Lottridge, Patrizia Marti, Edward Melcer, Florian F. Müller, Marianne G. Petersen, Thecla Schiphorst, Elena M. Segura, Anna Ståhl, Dag Svanæs, Jakob Tholander, and Helena Tobiasson. 2018. “Embracing First-Person Perspectives in Soma-Based Design.” Informatics 5 (1): 8. https://doi.org/10.3390/informatics5010008
Ladores, Sigrid. 2020. “Applying Petitmengin’s Explicitation Interview Method to Elicit the Lived Experience of Breathing Upon Waking by an Individual With Cystic Fibrosis.” Journal of Patient Experience 7 (6): 856–68. https://doi.org/10.1177/2374373520956740
Loke, Lian, and Toni Robertson. 2013. “Moving and Making Strange: An Embodied Approach to Movement-Based Interaction Design.” ACM Transactions on Computer-Human Interaction 20 (1): 1–25. https://doi.org/10.1145/2442106.2442113
McSwite, O.C. 2000. “On the Discourse Movement—A Self Interview.” Administrative Theory & Praxis 22 (1): 49–65. https://doi.org/10.1080/10841806.2000.11643426
Núñez-Pacheco, Claudia, and Lian Loke. 2016. “Felt-Sensing Archetypes: Analysing Patterns of Accessing Tacit Meaning in Design.” In Proceedings of the 28th Australian Conference on Computer-Human Interaction - OzCHI ’16, 462–71. Launceston: ACM. https://doi.org/10.1145/3010915.3010932
Núñez-Pacheco, Claudia, and Lian Loke. 2017. “Tacit Narratives: Surfacing Aesthetic Meaning by Using Wearable Props and Focusing.” In Proceedings of the Eleventh International Conference on Tangible, Embedded, and Embodied Interaction, 233–42. Yokohama: ACM. https://doi.org/10.1145/3024969.3024979
Núñez-Pacheco, Claudia, and Lian Loke. 2020. “Getting into Someone Else’s Soul : Communicating Embodied Experience.” Digital Creativity 31 (4): 245–58. https://doi.org/10.1080/14626268.2020.1835987
Pauwels, Luc, and Dawn Mannay. 2020. The SAGE Handbook of Visual Research Methods. London: Sage Publications. https://doi.org/10.4135/9781526417015
Scarry, Elaine. 1985. The Body in Pain: The Making and Unmaking of the World. Oxford: Oxford University Press.
Shusterman, Richard. 2006. “Thinking through the Body, Educating for the Humanities: A Plea for Somaesthetics.” Journal of Aesthetic Education 40 (1): 1–21. http://www.jstor.org/stable/4140215
Smeenk, Wina, Oscar Tomico, and Koen van Turnhout. 2016. “A Systematic Analysis of Mixed Perspectives in Empathic Design: Not One Perspective Encompasses All.” International Journal of Design 10 (2): 19.
Stanton, Tasha R., and Charles Spence. 2020. “The Influence of Auditory Cues on Bodily and Movement Perception.” Frontiers in Psychology, 17 January 2020. https://doi.org/10.3389/fpsyg.2019.03001
Tennent, Paul, Kristina Höök, Steve Benford, Vasiliki Tsaknaki, Anna Ståhl, Claudia Dauden Roquet, Charles Windlin, Pedro Sanches, Joe Marshall, Christine Li, Juan Pablo Martinez Avila, Miquel Alfaras, Muhammad Umair, and Feng Zhou. 2021. “Articulating Soma Experiences Using Trajectories.” In Proceedings of the 2021 CHI Conference on Human Factors in Computing Systems, 1–16. Yokohama: ACM. https://doi.org/10.1145/3411764.3445482
Valle-Noronha, Julia. 2019. Becoming with Clothes. Activating Wearer-Worn Engagements through Design. Espoo: Aalto School of Art and Design.
Wilde, Danielle, Thecla Schiphorst, and Sietske Klooster. 2011. “Move to Design/Design to Move: A Conversation about Designing for the Body.” Interactions 18 (4): 22–27. https://doi.org/10.1145/1978822.1978828
Demir, Arife Dila, Nithikul Nimkulrat, and Kristi Kuusk. 2022. “‘Squeaky/Pain’: Cultivating Disturbing Experiences and Perspective Transition for Somaesthetic Interactions.” Diseña 20: 1-19. https://doi.org/10.7764/disena.20.Article.2
Gastaldo, Denise, Natalia Rivas-Quarneti, and Lilian Magalhães. 2018. “Body-Map Storytelling as a Health Research Methodology: Blurred Lines Creating Clear Pictures.” Forum Qualitative Sozialforschung / Forum: Qualitative Social Research, 19(2). https://doi.org/10.17169/fqs-19.2.2858
Given, Lisa M., ed. 2008. The Sage Encyclopedia of Qualitative Research Methods. Los Angeles: Sage Publications.
Gubrium, Jaber, and James Holstein. 2001. Handbook of Interview Research. Thousand Oaks: Sage Publications. https://doi.org/10.4135/9781412973588
Höök, Kristina. 2018. Designing with the Body: Somaesthetic Interaction Design. Cambridge, MA: The MIT Press.
Höök, Kristina, Baptiste Caramiaux, Cumhur Erkut, Jodi Forlizzi, Nassrin Hajinejad, Michael Haller, Caroline Hummels, Katherine Isbister, Martin Jonsson, George Khut, Lian Loke, Danielle Lottridge, Patrizia Marti, Edward Melcer, Florian F. Müller, Marianne G. Petersen, Thecla Schiphorst, Elena M. Segura, Anna Ståhl, Dag Svanæs, Jakob Tholander, and Helena Tobiasson. 2018. “Embracing First-Person Perspectives in Soma-Based Design.” Informatics 5 (1): 8. https://doi.org/10.3390/informatics5010008
Ladores, Sigrid. 2020. “Applying Petitmengin’s Explicitation Interview Method to Elicit the Lived Experience of Breathing Upon Waking by an Individual With Cystic Fibrosis.” Journal of Patient Experience 7 (6): 856–68. https://doi.org/10.1177/2374373520956740
Loke, Lian, and Toni Robertson. 2013. “Moving and Making Strange: An Embodied Approach to Movement-Based Interaction Design.” ACM Transactions on Computer-Human Interaction 20 (1): 1–25. https://doi.org/10.1145/2442106.2442113
McSwite, O.C. 2000. “On the Discourse Movement—A Self Interview.” Administrative Theory & Praxis 22 (1): 49–65. https://doi.org/10.1080/10841806.2000.11643426
Núñez-Pacheco, Claudia, and Lian Loke. 2016. “Felt-Sensing Archetypes: Analysing Patterns of Accessing Tacit Meaning in Design.” In Proceedings of the 28th Australian Conference on Computer-Human Interaction - OzCHI ’16, 462–71. Launceston: ACM. https://doi.org/10.1145/3010915.3010932
Núñez-Pacheco, Claudia, and Lian Loke. 2017. “Tacit Narratives: Surfacing Aesthetic Meaning by Using Wearable Props and Focusing.” In Proceedings of the Eleventh International Conference on Tangible, Embedded, and Embodied Interaction, 233–42. Yokohama: ACM. https://doi.org/10.1145/3024969.3024979
Núñez-Pacheco, Claudia, and Lian Loke. 2020. “Getting into Someone Else’s Soul : Communicating Embodied Experience.” Digital Creativity 31 (4): 245–58. https://doi.org/10.1080/14626268.2020.1835987
Pauwels, Luc, and Dawn Mannay. 2020. The SAGE Handbook of Visual Research Methods. London: Sage Publications. https://doi.org/10.4135/9781526417015
Scarry, Elaine. 1985. The Body in Pain: The Making and Unmaking of the World. Oxford: Oxford University Press.
Shusterman, Richard. 2006. “Thinking through the Body, Educating for the Humanities: A Plea for Somaesthetics.” Journal of Aesthetic Education 40 (1): 1–21. http://www.jstor.org/stable/4140215
Smeenk, Wina, Oscar Tomico, and Koen van Turnhout. 2016. “A Systematic Analysis of Mixed Perspectives in Empathic Design: Not One Perspective Encompasses All.” International Journal of Design 10 (2): 19.
Stanton, Tasha R., and Charles Spence. 2020. “The Influence of Auditory Cues on Bodily and Movement Perception.” Frontiers in Psychology, 17 January 2020. https://doi.org/10.3389/fpsyg.2019.03001
Tennent, Paul, Kristina Höök, Steve Benford, Vasiliki Tsaknaki, Anna Ståhl, Claudia Dauden Roquet, Charles Windlin, Pedro Sanches, Joe Marshall, Christine Li, Juan Pablo Martinez Avila, Miquel Alfaras, Muhammad Umair, and Feng Zhou. 2021. “Articulating Soma Experiences Using Trajectories.” In Proceedings of the 2021 CHI Conference on Human Factors in Computing Systems, 1–16. Yokohama: ACM. https://doi.org/10.1145/3411764.3445482
Valle-Noronha, Julia. 2019. Becoming with Clothes. Activating Wearer-Worn Engagements through Design. Espoo: Aalto School of Art and Design.
Wilde, Danielle, Thecla Schiphorst, and Sietske Klooster. 2011. “Move to Design/Design to Move: A Conversation about Designing for the Body.” Interactions 18 (4): 22–27. https://doi.org/10.1145/1978822.1978828