Editorial

Editorial

Carles Batlle Jordà
PDF (Català) PDF

Articles

Brechtian Dramatic Strategies in the plays Cloud Nine and Top Girls by Caryl Churchill. Estrangement in Betty in Cloud Nine and Marlene in Top Girls

Silvada Pérez Meix
PDF (Castellano) PDF

Witch-Hunt. The Scapegoat of Modern Medicine (Vinegar Tom)

Ferrando Luquín Sílvia
PDF (Castellano) PDF

Antinomies in Today’s Realistic Theatre: A Critique from an Affective Theory Perspective

Frithwin Wagner-Lippok
PDF (Català) PDF

Living Arts: Definition, Controversies and Examples

Inma Garín Martínez
PDF (Castellano) PDF

Poetic Creed as a System of Autonomous Reflection in Theatre Creation Processes

Carla Pessolano
PDF (Castellano) PDF

Autobiography and Identity. Performance as Research

Rakel MarÍn Ezpeleta
PDF (Castellano) PDF

«Café Müller»’s Nocturne. A Reading

Roberto Fratini
PDF (Castellano) PDF

Apology of Fear: Calixto Bieito’s King Lear

Héctor Mellinas
PDF (Català) PDF

Carmen Tórtola Valencia, Character Building

Neus Ribas San Emeterio
PDF (Català) PDF

Performing Language and Semiotics in the Training of Actors in the ESAD Today. Regulatory Framework

Ekaitz Unai González Urretxu
PDF (Castellano) PDF

Does Artistic Research Produce Knowledge? A Five-Fold Distinction

Gerard Vilar
PDF (Català) PDF

Documents

Rehabilitating the Spectator. For a Criticism of Participation

Marco de Marinis
PDF (Català) PDF

Championing “the Right to Experiment, both in Science and Art”

Jean-Manuel Warnet
PDF (Castellano) PDF

Talk between Davide Carnevali and Carles Batlle

PDF PDF (Català)