Programming with artistic aims or software art
Article Sidebar
Google Scholar citations
Main Article Content
Amy Alexander has been working in net art and software art since 1996. In the interview she tells us more about the context of her first software art projects with the boom of copy on the Internet, and about Plagiarist, her first artwork on the web. After this, she tells us how the development of her work has been including performance, up to her latest works where she is mixing software art and performance with imaginary friends. Today, she is Assistant Teacher in Visual Art at the University of California, San Diego.
Interviewed by Pau Alsina, Artnodes collaborator, at Centre d'Art Santa Mònica, on June 2004.
Watch the video interview [YouTube - 12 min]
Article Details
Copyright
For all articles published in Artnodes that are subject to a Creative Commons Attribution 4.0 International licence, copyright is retained by the author(s). The complete text the license can be consulted at http://creativecommons.org/licenses/by/4.0/. You may copy, distribute, transmit and adapt the work, provided you attribute it (authorship, journal name, publisher) in the manner specified by the author(s) or licensor(s).
Authors are responsible for obtaining the necessary licences for the images that are subject to copyright.
Assignment of intellectual property rights
The author non exclusively transfers the rights to use (reproduce, distribute, publicly broadcast or transform) and market the work, in full or part, to the journal’s editors in all present and future formats and modalities, in all languages, for the lifetime of the work and worldwide.
I hereby declare that I am the original author of the work. The editors shall thus not be held responsible for any obligation or legal action that may derive from the work submitted in terms of violation of third parties’ rights, whether intellectual property, trade secret or any other right.
Similar Articles
- Andreas Broeckmann, Is software art a genuine artistic material? , Artnodes: No. 2 (2003): NODE 2. Art and New Media
- Inke Arns, Code as performative speech act , Artnodes: No. 4: (July 2005). NODE 4. Calculability (Editor: Pau Alsina)
- Alex Galloway, Surveillance technology in artistic projects , Artnodes: No. 5: (September 2006). NODE 5. Interviews (Editors: Pau Alsina, Pau Waelder)
- Andreas Broeckmann, Code and software repercussions on our daily life , Artnodes: No. 5: (September 2006). NODE 5. Interviews (Editors: Pau Alsina, Pau Waelder)
- Søren Bro Pold, New ways of hiding: towards metainterface realism , Artnodes: No. 24: (July 2019). NODE 24. After post-truth (Editor.: Jorge Luis Marzo)
- Lev Manovich, Avant-garde as Software , Artnodes: No. 2 (2003): NODE 2. Art and New Media
- Steve Sacks, On software art in art galleries , Artnodes: No. 3 (2004): NODE 3. Heterotipies
- Pau Alsina, On art and computing: an introduction to digital art , Artnodes: No. 4: (July 2005). NODE 4. Calculability (Editor: Pau Alsina)
- Josephine Berry, Bare Code: Net Art and the Free Software Movement , Artnodes: No. 3 (2004): NODE 3. Heterotipies
- Jonah Brucker-Cohen, Physical toy interfaces connected to surveillance software , Artnodes: No. 5: (September 2006). NODE 5. Interviews (Editors: Pau Alsina, Pau Waelder)
You may also start an advanced similarity search for this article.