From Reading to Staging. Antonio Matina, Carlo Celano and Other Estimators of Lope in the Vice-Royal Naples
Article Sidebar
Google Scholar citations
Main Article Content
Elena Elisabetta Marcello
Università degli Studi Roma Tre
This paper analyzes the commented readings on Lope de Vega done by Canon Antonio Matina in the Naples of the second half of the seventeenth century and compares them with the considerations by A.G. Brignole Sale and F. Bracciolini. The essay also relates these poetic and aesthetic commentaries to the translations and adaptations of Lope’s plays carried out in Naples at the same time and century. It describes plays by Carlo Celano, Raffaele Tauro, Andrea Perrucci and Ignazio Capaccio.
Keywords
Lope de Vega, reading, plays translation and adaptation, Antonio Matina, theater in 17th-century Naples, Carlo Celano, Raffaele Tauro, Andrea Perrucci, Ignazio Capaccio
Article Details
How to Cite
Marcello, Elena Elisabetta. “From Reading to Staging. Antonio Matina, Carlo Celano and Other Estimators of Lope in the Vice-Royal Naples”. Anuario Lope de Vega, vol.VOL 25, pp. 122-4, https://raco.cat/index.php/anuariolopedevega/article/view/350392.
Rights
Copyright
Authors who publish with this journal agree to the following terms:-
- Authors retain copyright.
- The texts published in this journal are – unless indicated otherwise – covered by the Creative Commons Spain Attribution 3.0 licence. You may copy, distribute, transmit and adapt the work, provided you attribute it (authorship, journal name, publisher) in the manner specified by the author(s) or licensor(s). The full text of the licence can be consulted here: http://creativecommons.org/licenses/by/3.0/es/deed.en.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
Author Biography
Elena Elisabetta Marcello, Università degli Studi Roma Tre
Dipartimento di Lingue, Letterature e Culture straniere
Professore Associato
Most read articles by the same author(s)
- Elena Elisabetta Marcello, Christophe Couderc & Marcella Trambaioli, eds., «Paradigmas teatrales en la Europa moderna: circulación e influencias (Italia, España, Francia, siglos XVI-XVII)» , Anuario Lope de Vega: Vol. 24 (2018): La escena y la pantalla: Lope hoy
- Elena Elisabetta Marcello, From Lope to Celano: «La sofferenza coronata», an Italian adaptation of «Los tres diamantes» (and a digression on Ciro de Monarca’s «scenario» «Il cavaliere dai tre gilgi d’oro») , Anuario Lope de Vega: Vol. 23 (2017): Lope y el teatro europeo de su tiempo
- Elena Elisabetta Marcello, «Los Propósitos». Language and Dramaturgy Notes , Anuario Lope de Vega: Vol. 26 (2020): Theatre Manuscripts in the Library of Gondomar