«Pájaros dorilos» and other talking birds: an intertextual reference in «La Arcadia»
Article Sidebar
Main Article Content
This note examines an odd expression in Lope’s comedia La Arcadia: «pájaros dorilos». By examining the motif of talking birds and the etymology of the expression we defend an intertextual connection with the anonymous comedia La gran pastoral de Arcadia.
Article Details
How to Cite
Sánchez Jiménez, Antonio; Carriazo Ruiz, José Ramón. “«Pájaros dorilos» and other talking birds: an intertextual reference in «La Arcadia»”. Anuario Lope de Vega, 2017, vol.VOL 23, pp. 575-86, https://raco.cat/index.php/anuariolopedevega/article/view/318213.
Rights
Copyright
Authors who publish with this journal agree to the following terms:-
- Authors retain copyright.
- The texts published in this journal are – unless indicated otherwise – covered by the Creative Commons Spain Attribution 3.0 licence. You may copy, distribute, transmit and adapt the work, provided you attribute it (authorship, journal name, publisher) in the manner specified by the author(s) or licensor(s). The full text of the licence can be consulted here: http://creativecommons.org/licenses/by/3.0/es/deed.en.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
Most read articles by the same author(s)
- Antonio Sánchez Jiménez, Lope Reserved: Facets of Eroticism in the «Rimas» (1604) , Anuario Lope de Vega: Vol. 25 (2019): Lope in/and Italy
- Antonio Sánchez Jiménez, Lope de Vega, «El peregrino en su patria» , Anuario Lope de Vega: Vol. 24 (2018): La escena y la pantalla: Lope hoy
- Antonio Sánchez Jiménez, Lope de Vega and the ambiguity of signs: uncertainty of meaning in some variations on the theme of the «Arcadia» , Anuario Lope de Vega: Vol. 23 (2017): Lope y el teatro europeo de su tiempo
- Antonio Sánchez Jiménez, Lope de Vega in the Afterlife: Three Ghostly Samples in the Fénix's Posthomous Reception , Anuario Lope de Vega: Vol. 22 (2016): Lope y la Edad de Plata
- Antonio Sánchez Jiménez, «La famosa Gaticida» (Valencia, Francisco Navarro, ca. 1595) and the Origins of «La Gatomaquia»: Edition and Study , Anuario Lope de Vega: Vol. 27 (2021): The First Years of Commercial Theatre in Spain and the Early Years of Lope de Vega (1560-1598)
- Antonio Sánchez Jiménez, A Dark Sonnet by Lope de Vega on Paravicino's Emblem: «En vano oprimes con la mano impura» , Anuario Lope de Vega: Vol. 24 (2018): La escena y la pantalla: Lope hoy
- Antonio Sanchez Jiménez, Hilaire Kallendorf, ed., A Companion to Early Modern Hispanic Theater , Anuario Lope de Vega: Vol. 21 (2015)
- Antonio Sánchez Jiménez, Metaphors of Authorial Construction in Lope de Vega: Prologues and Dedications of "partes" XV-XX (1621-1625) , Anuario Lope de Vega: Vol. 30 (2024): Editorial Practices & Literary Sociability Around Lope de Vega / The Alchemy of an Invented World: Literary Mixture in the Time of Lope
- Antonio Sánchez Jiménez, Rodríguez López-Vázquez, Alfredo, ed., Lope de Vega Carpio, «La mocedad de Bernardo del Carpio. El casamiento en la muerte» , Anuario Lope de Vega: Vol. 31 (2025): «Guzmanes por la crianza»: Rimes and Prose in «La Circe», by Lope de Vega
- Antonio Sánchez Jiménez, «Descriptio Puellae» and «Cultismo» in Góngora and Lope de Vega: The Palace as a Lady, the Lady as a Palace , Anuario Lope de Vega: Vol. 31 (2025): «Guzmanes por la crianza»: Rimes and Prose in «La Circe», by Lope de Vega