Crèdits i Editorial

Credits and editoral

Verónica Ramírez

1-4

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Document gràfic

Washi, the Paper of the Gods. Notes on its history, nature and uses in preservation and restoration.

Luis Arcó Crespo

5-20

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The Balance between Two Views on Restoration: The Renovation of an Unusual Japanese Byōbu.

Keti Atanasova Nikoleava

21-34

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An Optical Journey Through Spain by Onofre Alsamora (1846-1851).

Preservationrestoration of a collection of translucent optical views at the Museu del Cinema (Girona).

Berta Blas i Roig, Elisa María Díaz González, Montse Puigdevall Noguer

35-54

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Preserving Graphic Design. Protocol for the Inclusion of a Portfolio in the Collection of Graphic Design at the Museu del Disseny in Barcelona.

Èlia López Reguant

103-114

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Pintura

Poly(2-ethyl-2-oxazoline) and its Use in the Preservation-Restoration of Paintings.

Glòria Larruela Palomares

55-70

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Paleontologia

A Challenging Combination: Large Dimensions and Low Mineralization.

The handling, transporting and musealisation of fossil samples.

Xènia de Arenas Aymerich i Núñez, Marina i Aguilar Rull

71-84

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Béns arqueològics

Preservation-Restoration Treatment of a Waterlogged XVIII Century Horn Comb.

Irene García Alonso

85-102

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Escultura

Restoration of the Gargoyles at La Llotja de Mercaders in Palma de Mallorca (2008-2020). Review of the process of extraction of soluble salts (2010-2020).

Eva Planells Torres

115-132

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Photography

Study of the Group of Photographs Attributed to Ramon Batlles for One of the Publicity Campaigns for the Myrurgia Brand in the 1950s.

M. Carme Balliu Badia

133-154

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Notícies

News

Miquel Mirambell Abancó

155-164

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