Lexicons, Literacies and Design Futures
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As the world in which we live becomes more complex and contested, economically and politically but also in terms of rapid and long-lasting environmental change, design education faces new demands and challenges. We frame and situate these in terms of what we call “design futures literacies.” At stake in such a framing is a rethinking of design’s priorities in the context of climate change and resource use and reuse in futures that are uncertain, contingent and emergent. The article positions design as having shifted away from a techno-modernist design solutionism and to how it may engage in shaping futures through experimentation and exploration in the critical and productive engagement with techno-cultural life. These arguments are located within the prior experience of the transdisciplinary team of co-authors as well as a European level project between four leading design universities. The article takes up their first work package on the co-creation of a Lexicon for Design Futures Literacies and early experimentation towards generating resources and experience for its wider use. The article addresses the largely under articulated relations between language and design (from lexis to discourse). First, we present the development of an alphabetic, lexical semantic set and core grouping of design and futures terms. This vocabulary, drawn from a range of sources and experiences, is linked to the design of a related lexically centred card game. Second, the focus on vocabulary was extended to a section on situating lexis in cultural historical contexts, 3-dimensional haptic form giving and the language of abstraction. This was achieved via reference to a design narrative fiction experiment on emerging technologies and a historical costume annotation project as a prompt for making connections between items from the lexicon and modelling abstract forms in clay. Third, in collaboration with a government ministry and a design council, students developed four future digital urban living scenarios with trust as their central focus. “Languaging” the future was embodied in physical scenarios open to the public, connected to a professional seminar and to international research events where verbal descriptions, explanations and reflections were voiced by the students alongside their educator-researcher. The article closes with suggestions that there is further opportunity for attention to lexis and multimodal discourse modes in shaping design futures literacies, within and across the project but also in practice, in policy and for and as design pedagogy.
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(c) Andrew Morrison, 2020
Andrew Morrison, Institute of Design, Oslo School of Architecture and Design (AHO)
Andrew Morrison is the Director of the Centre for Design Research at the Oslo School of Architecture and Design (AHO), leads design research projects on communication and interaction design, collaborating on service, systems and product design. He works on design writing, fiction and criticism and design and technology critiques and collaborates with the Institute of Urbanism and Landscape at AHO. His current work centres on design critical futures in an anticipation frame. He publishes in digital media, multimodal multilit- eracies, interaction and urbanism, landscape and arctic and scholarly communication. He has coordinated the AHO PhD School and has supervised, examined and reviewed widely. Prominent projects include YOUrban, the AHO Research Review 2014-2017 on creative industry situated research assessment and books Inside Multimodal Composition (2010), Exploring Digital Design (2010) and chapters in The Handbook of Anticipation (2017), Practice Based Design Research (2017), Designing Cultures of Care (2018) and Additive Manufacturing Design (2018). Andrew was co-chair of Design + Power NORDES 2017, a member of the Anticipation 2017 Conference and chair of the 2019 conference. Recent publications have appeared in KAIROS, the Oxford Journal of Education, RSD 7 2018 and EAD 2017 and 2019. He is completing Amphibious Trilogies on artistic design and leads and participates in FUEL4DESIGN on design future literacies (ERASMUS+).
Nina Bjørnstad, Institute of Design, Oslo School of Architecture and Design (AHO)
Nina Bjørnstad is an Associate Professor with a master’s degree in Industrial Design from Konstfack University College of Arts, Crafts and Design in Stockholm Sweden. She participates in several courses at the Institute of Design (IDE) at the Oslo School of Architecture and Design. Bjørnstad is a core member of WONDER, the Scandinavian Network for Women in Design Research, and a partner in the Swedish research project Haptica. Her lecturing includes Three-dimensional visual analysis and Product semantics in entry-level courses. She mainly participates in Industrial Design master’s courses through tutoring incremental and radical design in Technoform, and she is responsible for Transform, the speculative far future oriented 4th year spring course. Nina Bjørnstad has experience with teaching series, and brand building through products, emotional design and professional ethics are among her fields of interests. Occasionally she gives elective master’s courses and has been responsible for the design theory course. Nordic academic colleagues have invited her on different occasions to be a master’s examiner and external adviser on employment. She is part of the AHOs committee for equality and diversity and the appointments committee. She contributes to the Institute of Design’s Erasmus+ project called Fuel4Design with her design-led research.
Einar Sneve Martinussen, Institute of Design, Oslo School of Architecture and Design (AHO)
Einar Sneve Martinussen is an Associate Professor at the Oslo School of Architecture and Design (AHO), where he is Chair of Interaction Design. Martinussen is an experienced interaction designer, researcher and educator who works with culture, society, technolo- gy and futures. Over the last 10 years, he has been a part of the team developing AHO’s interaction design programme across teaching and research. Currently, Martinussen leads the interdisciplinary research group Digital Urban Living on design, digital cities and daily life. His research-practice uses interaction design and interdisciplinary and cultural perspectives on technology to explore and theorise about the digitalisation of society, politics and governance. Martinussen’s design and research practice includes visualisations of technology, films, interactive products and exhibitions. Internationally, Martinussen is known for the “Immaterials” film series about exploring and visualising technological phenomena in everyday life. Martinussen lectures widely about design, society, cities and technology at conferences and universities, including Aalto University, IxDA, DOGA, Nordic Edge, NYT Art of Tomorrow and Goldsmiths Design. Martinussen’s work has been exhibited internationally, including “Talk to Me” at the Museum of Modern Art in New York, “Immaterials” at Lighthouse, “Invisible Fields” at Laboral in Spain and “DREAD” at De Hallen Haarlem in Amsterdam.
Bjørn Johansen, Museum of University History, University of Oslo
Bjørn V. Johansen is an art historian specialising in 19th century architecture and design. He has been a researcher at the Norwegian Institute of Cultural Heritage Research, a curator at the Norwegian National Museum of Art, Architecture and Design and a section manager at the Museum of Cultural History in Oslo. He is currently head of the Museum of University History, University of Oslo. Research fields include 19th century villa architecture, observatories and architecture for science and early 20th century university museums, exhibitions and collections.
Bastien Kerspern, Design Friction
Bastien Kerspern is an interaction designer by training and the co-founder of design studios Casus Ludi and Design Friction, both based in France. Bastien builds experiences, tools and formats that help in identifying, understanding and anticipating problems or controversies. To do so, he designs games and fictions that work as vectors for the mediation of complexity and uncertainty. Through his practice, Bastien works for and with public institutions, companies and NGOs to create “mediactions” which allow these organisations to thrive in a time of accelerated transformation. Bastien is also an international speaker (TEDx, Interaction Conference) and a visiting lecturer for arts and design universities as well as business and management schools all across Europe (Audencia, L’École de Design Nantes Atlantique, Umea Institute of Design, Oslo School of Architecture and Design).
Palak Dudani, Institute of Design, Oslo School of Architecture and Design (AHO)
Palak Dudani is a designer and researcher with an interest in culture, social systems and the future of urban life. She holds a master’s degree from the Oslo School of Architecture and Design, specialising in systems-oriented design and service design. As a strong advocate of a systems approach to design, she believes that designers hold crucial roles and responsibilities within our transitioning societies. Her master’s thesis is titled “Wealth to Wellbeing - A systems exploration in imagining alternatives within housing in Norway” and explores how a systems approach can be used to reveal invisible forces present within urban ecosystems and imagine alternative futures in an anticipatory manner. She’s a recipient of the AIF Clinton fellowship and has previously worked with humanitarian aid organisations and startups on projects within the healthcare, employability and education sectors.
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