Soissons la pedra construeix la fe mariana (La Cantiga 53 de les Cantigas de Santa Maria d’Afonso X)

Main Article Content

Alfonso X, sovereign of the peninsular kingdoms of León and Castilla, honored the fame of the kings of the medieval West of the 13th century and dedicated much of his time and money to promoting the arts, sciences and Marian cult. One of the ways to unite all these initiatives was the creation of the Cantigas de Santa María, a set of hundreds of stories of miracles and praises to the Virgin Mary, in which another hundred full-page illuminations are recorded. This work will focus on Cantiga 53 and aims to show the technical development implemented by gothic architects, as well as the syncretism between the French and peninsular kingdoms with regard to cathedral architecture, for the example of Soissons Cathedral.

Paraules clau
Alfonso X, Cantigas de Santa María, Edad Media, Catedral de Soissons

Article Details

Com citar
Dantas, Bárbara. “Soissons: la pedra construeix la fe mariana (La Cantiga 53 de les Cantigas de Santa Maria d’Afonso X)”. Mirabilia: electronic journal of antiquity and middle ages, no. 32, pp. 153-66, https://raco.cat/index.php/Mirabilia/article/view/388335.
Referències

AFONSO X, o Sábio. Cantigas de Santa Maria. Edição fac-símile do Códice T.1.1 da Biblioteca de San

Lorenzo El Real de El Escorial. Séc. XIII. Madri: Edilán, 1979.

AGOSTINHO. O Livre-Arbítrio. São Paulo: Paulus, 1995.

HONNECOURT, Villar de. Álbum de Villar de Honnecourt. Século XIII.

VIOLLET-LE-DUC, Eugène. Dictionnaire raisonné de l’architecture française du XIe au XVIe siècle. 10. V. Paris - França: Bance & Morel, 1854-1868.

AFONSO X. Cantigas de Santa Maria. Edição crítica de Walter Mettmann. Madri: Castalia, 1986.

DUBY, Georges. História artística da Europa: a Idade Média. Tomo I. São Paulo: Paz e Terra, 1995.

FOCILLON, Henri. Le moyen âge gothique. Paris: Libraire Armand Colin, 1965.

PANOFSKY, Erwin. Significado nas artes visuais. São Paulo: Perspectiva, 1976.

TOMAN, Roman. O Gótico: arquitetura, escultura e pintura. Colônia: Könemann, 1998.