No. 28 (2022) | Lectora: Journal of Women and Textuality

José Miguel González Soriano (ed.)

Discurso de agradecemento na entrega da medallas de honra do Consello da Cultura Galega

Helena González Fernández

9-16

Accés (Gallego)

Introducción

José Miguel González Soriano

17-32

Accés (Castellano)

Las primeras mujeres periodistas que escriben a Miguel de Unamuno: inquietudes y preocupaciones intelectuales a través del estudio de su correspondencia

Mª Isabel Rodríguez-Fidalgo, Adriana Paíno-Ambrosio

33-57

Accés (Castellano)

Self-concealment and Imposture: Beyond the Double Invisibility of the Woman Translator. The Case of María Lejárraga (or her Pseudonym’s, "Gregorio Martínez Sierra")

Assumpta Camps

59-74

Accés (Castellano)

"Gentle sheep and brave lioness": Working-class Women in the Theater of Pilar Millán Astray

Iker González-Allende

75-91

Accés (Castellano)

Marginality and Prostitution. Abolitionist Writing in Carlota O’Neill (1905-2000)

Rocío González Naranjo

93-112

Accés (Castellano)

Dystopia, Futurism and Mechanization in Mosko-Strom by Rosa Arciniega

Richard Angelo Leonardo-Loayza

113-132

Accés (Castellano)

The Other Voices of The Silver Age: Mercedes Pinto and the Modern Woman

Alicia Llarena

133-151

Accés (Castellano)

María Zambrano’s Poetic Reason as Feminist Theory

Ana Belén Verdugo González

153-164

Accés (Castellano)

Delhy Tejero, Illustrator of Crónica, and Her First Narrations Inspired by Elena Fortún

Dolores Romero López

165-184

Accés (Castellano)

The Premiere of El Enigma (1939), by Josefina and Claudio de la Torre: A Play between the Civil War and the Post-War Period

Alejandro Coello Hernández, Alberto García-Aguilar

185-200

Accés (Castellano)

"Communications from another world": Silence and Friendship in the Letters from Concha de Albornoz to Rosa Chacel

Ana María Bande Bande

201-219

Accés (Castellano)

Books and Readings in the Letters between Carmen Laforet and Elena Fortún

María Jesús Fraga Fernández Cuevas

221-236

Accés (Castellano)

Writing in the Press, a Praxis of Female Sociability. The Case of the Magazine Edited by the School for Teachers “Normal N°1” in Rosario (1925-1929)

Paula Caldo, Micaela Pellegrini Malpiedi

237-254

Accés (Castellano)

A Female Neighbour in Whose Country? The Untold Story of Afia Begum and the Sari Squad

Arup K. Chatterjee

255-271

Accés

Humor Takes Shape: A Feminist Analysis of its Communicative Dimension

Sabela Fraga Costa

273-288

Accés (Gallego)

The Naked Body in the Theatre of the Spanish Second Republic: Female Liberation or the Objectification of Women. An Approximation from the Play La Pipa de Oro

Carmen Guillén Lorente

289-305

Accés (Castellano)

"De entrecasa": Gender, Space, and Affects in the Works of Silvina and Victoria Ocampo

Julia Kratje, Laura A. Arnés

307-326

Accés (Castellano)

"I’m not a muse, I’m an artist, and a big one": Fat Activism Discourse on Hispanic Instagram

Mónica María Martínez SAriego

327-346

Accés (Castellano)

"¿Dónde está la llave, Matarile?" Desire and Dissidence in Nazario Luque’s Purita

María Inmaculada Naranjo Ruiz

347-363

Accés (Castellano)

Femicides, Paranoia, and Impunity: The Marks of the Neopolicial in Selva Almada’s Dead Girls (2014)

Mariana Oggioni

365-380

Accés (Castellano)

The Labyrinth of Domesticity: The New Woman and the Questioning of Gender in Felka’s Photographs

María Laura Rosa

381-398

Accés (Castellano)

Il miele e l’amaro. Lettura mistico - sapienziale dell’Apocalisse, Antonietta Potente

Helena Casas Perpinyà

399-400

Accés (Castellano)

Mis días en México. Diarios (1939 - 1953), Manuela Ballester Vilaseca , Carmen Gaitán Salinas (ed.)

Maria José González Madrid

400-402

Accés (Castellano)

Feminismes i traducció (1965-1990), Pilar Godayol

Maria Grau Perejoan

403-404

Accés (Castellano)

Freewomen, Patriarchal Authority, and the Accusation of Prostitution, Stephanie Lynn Budin

Josué J. Justel

407-409

Accés (Castellano)

Lettres de fuite. Séminaire 2001-2004, Hélène Cixous, Marta Segarra (ed.)

Oriol López Esteve

407-409

Accés (Català)

Entre plumas y pinceles: imágenes femeninas en la literatura y la pintura (1800-1950), Eva María Flores Ruiz y Yolanda Victoria Olmedo Sánchez (eds.)

Pascual Riesco Chueca

409-411

Accés (Castellano)

Los invertidos. Verdad, justicia y reparación para gais y transexuales bajo la dictadura franquista, Geoffroy Huard

Clara Serra

412-414

Accés (Castellano)

Vint-i-dues aproximacions a la traïció com a tema literari. Per una anàlisi global de “Vint-i-dos contes” de Mercè Rodoreda, Catalina Mir

Llucia Serra Ferre

414-416

Accés (Català)

Una nueva historia de los feminismos ibéricos, Silvia Bermúdez eta Roberta Johnson (eds.)

Ane Villagran Arrastoa

416-419

Accés (Euskara)

Llàgrimes de sirena and Terra Ferida, Revisited Wounded Spaces

Matilde Obradors, Diana Coca

421-435

Accés (Castellano)

NOTES OF ACKNOWLEDGEMENT

Discurso de agradecemento na entrega da medallas de honra do Consello da Cultura Galega

DOSSIER

Introducción

Las primeras mujeres periodistas que escriben a Miguel de Unamuno: inquietudes y preocupaciones intelectuales a través del estudio de su correspondencia

Self-concealment and Imposture: Beyond the Double Invisibility of the Woman Translator. The Case of María Lejárraga (or her Pseudonym’s, "Gregorio Martínez Sierra")

"Gentle sheep and brave lioness": Working-class Women in the Theater of Pilar Millán Astray

Marginality and Prostitution. Abolitionist Writing in Carlota O’Neill (1905-2000)

Dystopia, Futurism and Mechanization in Mosko-Strom by Rosa Arciniega

The Other Voices of The Silver Age: Mercedes Pinto and the Modern Woman

María Zambrano’s Poetic Reason as Feminist Theory

Delhy Tejero, Illustrator of Crónica, and Her First Narrations Inspired by Elena Fortún

The Premiere of El Enigma (1939), by Josefina and Claudio de la Torre: A Play between the Civil War and the Post-War Period

"Communications from another world": Silence and Friendship in the Letters from Concha de Albornoz to Rosa Chacel

Books and Readings in the Letters between Carmen Laforet and Elena Fortún

VARIA

Writing in the Press, a Praxis of Female Sociability. The Case of the Magazine Edited by the School for Teachers “Normal N°1” in Rosario (1925-1929)

A Female Neighbour in Whose Country? The Untold Story of Afia Begum and the Sari Squad

Humor Takes Shape: A Feminist Analysis of its Communicative Dimension

The Naked Body in the Theatre of the Spanish Second Republic: Female Liberation or the Objectification of Women. An Approximation from the Play La Pipa de Oro

"De entrecasa": Gender, Space, and Affects in the Works of Silvina and Victoria Ocampo

"I’m not a muse, I’m an artist, and a big one": Fat Activism Discourse on Hispanic Instagram

"¿Dónde está la llave, Matarile?" Desire and Dissidence in Nazario Luque’s Purita

Femicides, Paranoia, and Impunity: The Marks of the Neopolicial in Selva Almada’s Dead Girls (2014)

The Labyrinth of Domesticity: The New Woman and the Questioning of Gender in Felka’s Photographs

REVIEWS

Il miele e l’amaro. Lettura mistico - sapienziale dell’Apocalisse, Antonietta Potente

Mis días en México. Diarios (1939 - 1953), Manuela Ballester Vilaseca , Carmen Gaitán Salinas (ed.)

Feminismes i traducció (1965-1990), Pilar Godayol

Freewomen, Patriarchal Authority, and the Accusation of Prostitution, Stephanie Lynn Budin

Lettres de fuite. Séminaire 2001-2004, Hélène Cixous, Marta Segarra (ed.)

Entre plumas y pinceles: imágenes femeninas en la literatura y la pintura (1800-1950), Eva María Flores Ruiz y Yolanda Victoria Olmedo Sánchez (eds.)

Los invertidos. Verdad, justicia y reparación para gais y transexuales bajo la dictadura franquista, Geoffroy Huard

Vint-i-dues aproximacions a la traïció com a tema literari. Per una anàlisi global de “Vint-i-dos contes” de Mercè Rodoreda, Catalina Mir

Una nueva historia de los feminismos ibéricos, Silvia Bermúdez eta Roberta Johnson (eds.)

CREATIVE WRITING

Llàgrimes de sirena and Terra Ferida, Revisited Wounded Spaces