How to Cite
Figar, García. “El cine y los actores”. Comparative Cinema, 2017, no. 10, https://raco.cat/index.php/Comparativecinema/article/view/329730.
Most read articles by the same author(s)
- García Figar, Cinema and its actors , Comparative Cinema: No. 10 (2017): THE STAR SYSTEM IN EUROPE: STAR STUDIES TODAY
- García Figar, El cinema i els actors , Comparative Cinema: No. 10 (2017): L’STAR SYSTEM DES D’EUROPA: ACTUALITAT DELS STAR STUDIES
Similar Articles
- Miriam Sánchez Manzano, A Queer Approach to Illness in the Experimental Films of Barbara Hammer , Comparative Cinema: Vol. 11 No. 21 (2023): Cinematic Pathologies: Representations and Depictions of the Diseased Body
- Adam O'Brien, The Nature of Ostension , Comparative Cinema: Vol. 11 No. 20 (2023): Cinema’s Natures: Comparative Approaches to Ecocinema
- Irene Rihuete Varea, Unsettling Assemblages: Anxiety and Materiality in La Ciénaga (Martel, 2001) and Distancia de rescate (Llosa, 2021) , Comparative Cinema: Vol. 11 No. 20 (2023): Cinema’s Natures: Comparative Approaches to Ecocinema
- Lourdes Monterrubio Ibáñez, The Audiovisual Thinking Process in Contemporary Essay Films , Comparative Cinema: Vol. 10 No. 18 (2022): The Audiovisual Thinking Process in Contemporary Essay Films
- Lourdes Monterrubio Ibáñez, Bertrand Bacqué, Anachronism as Temporality of Memory in the Oeuvre of Pietro Marcello: An Interview with Bertrand Bacqué , Comparative Cinema: Vol. 10 No. 18 (2022): The Audiovisual Thinking Process in Contemporary Essay Films
- Lourdes Monterrubio Ibáñez, The Spectator’s Position as a Thinking Space for the Contemporary Essay Film: Face aux fantômes (2009) and Jaurès (2012) , Comparative Cinema: Vol. 10 No. 18 (2022): The Audiovisual Thinking Process in Contemporary Essay Films
- George Kouvaros, “The Postman’s Coming:” La Morte Rouge (soliloquio) and the Limits of Essayistic Thinking , Comparative Cinema: Vol. 10 No. 18 (2022): The Audiovisual Thinking Process in Contemporary Essay Films
- Josep Maria Català Domènech, News of the End of the World: The Essay Film as Mentality , Comparative Cinema: Vol. 10 No. 18 (2022): The Audiovisual Thinking Process in Contemporary Essay Films
- C. E. Harris, The True Colors of “False” Color: Representing Data Chromatically in NASA Films , Comparative Cinema: Vol. 9 No. 17 (2021): Color Contrast. Chromatic Connections in Cinema
- Olivia Kristina Stutz, The Hybrid Color Film: Multiplicity of Space, Time, and Matter , Comparative Cinema: Vol. 9 No. 17 (2021): Color Contrast. Chromatic Connections in Cinema
You may also start an advanced similarity search for this article.

