El poder del cinema polític, militant, "d'esquerres". Entrevista a Jacques Rancière

Most read articles by the same author(s)

• Javier Bassas Vila, El poder del cine político, militante, "de izquierdas". Entrevista a Jacques Rancière , Comparative Cinema: No. 2 (2013): Formas en revolución
• Javier Bassas Vila, The Power of Political, Militant, 'Leftist' Cinema. Interview with Jacques Rancière , Comparative Cinema: No. 2 (2013): Forms in revolution

Similar Articles

• Patrícia Ventura, Claudia Giannetti, Sara Suárez-Gonzalo, Albert Sabaté, Mesa redonda sobre ética y autoría en la creación mediática y cinematográfica en tiempos de la IA , Comparative Cinema: Vol. 11 No. 21 (2023): Cinematic Pathologies: Representations and Depictions of the Diseased Body
• Arnau Vilaró Moncasí, A Bedroom Story , Comparative Cinema: Vol. 8 No. 15 (2020): Female Desire in Film: Theories, Methods, Case Studies
• Irene Baena Cuder, Abject Births and the Monstrous-Feminine in Álex de la Iglesia’s Witching and Bitching and 30 Coins , Comparative Cinema: Vol. 13 No. 25 (2025): The Body Without Limits. The Monstrous-Feminine in Spanish Cinema
• Josep Maria Català Domènech, News of the End of the World: The Essay Film as Mentality , Comparative Cinema: Vol. 10 No. 18 (2022): The Audiovisual Thinking Process in Contemporary Essay Films
• Ariadna Moreno Pellejero, Flowing Bodies: Autoethnographies of Desire in "Christmas on Earth", "Fuses" and "Je, tu, il, elle" , Comparative Cinema: Vol. 9 No. 16 (2021): Biopic vs Biopic: Comparing Cinematic Lives
• Lourdes Monterrubio Ibáñez, The Spectator’s Position as a Thinking Space for the Contemporary Essay Film: Face aux fantômes (2009) and Jaurès (2012) , Comparative Cinema: Vol. 10 No. 18 (2022): The Audiovisual Thinking Process in Contemporary Essay Films
• Cristina Alvares Beskow, Un cinema de combat al costat del poble. Entrevista amb el cineasta bolivià Jorge Sanjinés , Comparative Cinema: No. 9 (2017): Eztetyka
• Gabriel Doménech González, The outgoing employee. Ermanno Olmi’s “Trilogy of Labor” (1959-1963) and its relation to Edisonvolta’s corporate cinema , Comparative Cinema: Vol. 13 No. 24 (2025): Echoes and Reverberations: Reflections on Film Trilogies
• Ling Zhang, Foreshadowing the Future of Capitalism: Surveillance Technology and Digital Realism in Xu Bing’s Dragonfly Eyes , Comparative Cinema: Vol. 8 No. 14 (2020): Imagining the Techno-Capitalist Society in Television and Film
• Moira Fradinger, Reading Latin American Third Cinema manifestos today , Comparative Cinema: No. 9 (2017): Eztetyka

<< < 1 2 3 4 5 6 7 8 9 10 > >> 

You may also start an advanced similarity search for this article.