Una breu història dels col·lectius radicals des dels anys 60 fins els anys 80: Entrevista amb Federico Rossin sobre la retrospectiva 'United We Stand, Divided We Fall'

Most read articles by the same author(s)

• David Phelps, Entrevista con Ken y Flo Jacobs. Parte I: Interrupciones , Comparative Cinema: No. 2 (2013): Formas en revolución
• David Phelps, Interview with Ken and Flo Jacobs. Part 1: Interruptions , Comparative Cinema: No. 2 (2013): Forms in revolution
• David Phelps, Entrevista amb Ken i Flo Jacobs. Part I: Interrupcions , Comparative Cinema: No. 2 (2013): Formes en revolució
• David Phelps, Una breve historia de los colectivos radicales desde los años 60 hasta los años 80: Entrevista con Federico Rossin sobre la retrospectiva 'United We Stand, Divided We Fall' , Comparative Cinema: No. 1 (2012): Proyección/Montaje
• David Phelps, Interview with Federico Rossin on the Retrospective 'United We Stand, Divided We Fall'. A Brief History of Radical Film Collectives from the 1960s to the 80s , Comparative Cinema: No. 1 (2012): Programming/montage

Similar Articles

• Miriam Sánchez Manzano, ¿Una ética para la IA? Mesa redonda sobre ética y autoría en el +RAIN Film Festival 2023 , Comparative Cinema: Vol. 11 No. 21 (2023): Cinematic Pathologies: Representations and Depictions of the Diseased Body
• Ariadna Moreno Pellejero, Flowing Bodies: Autoethnographies of Desire in "Christmas on Earth", "Fuses" and "Je, tu, il, elle" , Comparative Cinema: Vol. 9 No. 16 (2021): Biopic vs Biopic: Comparing Cinematic Lives
• Cristina Alvares Beskow, Un cinema de combat al costat del poble. Entrevista amb el cineasta bolivià Jorge Sanjinés , Comparative Cinema: No. 9 (2017): Eztetyka
• Mathias Lavin, Variations in Minor Mode: The Question of Accent in Chantal Akerman’s Cinema , Comparative Cinema: Vol. 12 No. 22 (2024): The Body of the Voice: Orality as Sound and Performative Expression in Non-Fiction Film
• Carolina Sourdis, Luis Ospina, Camilo Restrepo, Images to raise our gaze: Fragments from a conversation with Luis Ospina and Camilo Restrepo , Comparative Cinema: Vol. 7 No. 13 (2019): Notes for a historical study of corpses as cinematographic figures
• Javier Bassas Vila, El poder del cinema polític, militant, "d'esquerres". Entrevista a Jacques Rancière , Comparative Cinema: No. 2 (2013): Formes en revolució
• Daniel Grandes Rodríguez, del Castillo Aira, Itxaso. 2024. Mujeres furiosas. El monstruo femenino en el audiovisual de terror. Universidad del País Vasco / Euskal Herriko Unibertsitatea, Argitalpen Zerbitzua, pp. 274. , Comparative Cinema: Vol. 13 No. 25 (2025): The Body Without Limits. The Monstrous-Feminine in Spanish Cinema
• Maria Alzuguir Gutierrez, De l’imperfecte al popular , Comparative Cinema: No. 9 (2017): Eztetyka
• Alan Salvadó-Romero, Carolina Martínez-López, Imaginaries of Collapsology in Experimental Film , Comparative Cinema: Vol. 11 No. 20 (2023): Cinema’s Natures: Comparative Approaches to Ecocinema
• Ramon Girona, Olga Del Rio, Ways of Representing Mental Illnesses in Two Post-War Documentaries: Let There Be Light (1946) and Shades of Gray (1948) , Comparative Cinema: Vol. 11 No. 21 (2023): Cinematic Pathologies: Representations and Depictions of the Diseased Body

<< < 1 2 3 4 5 6 7 8 9 10 > >> 

You may also start an advanced similarity search for this article.