Monograph

MONOGRAPH: THE HORROR OF THE IMPOSSIBLE

David Roas

9-13

PDF (Castellano)

Dangerous daemons. Fantastic literature and the philosophical-literary tradition of spiritual exercises to overcome fear

Bernat Castany Prado

15-35

PDF (Castellano)

Theoretical physics from fantastic theory: a study about reality and its fractures

Raúl Molina Gil

37-55

PDF (Castellano)

Towards a classification of space in fantastic horror texts

Cecilia Eudave Robles

57-73

PDF (Castellano)

The Borders of horror

Marilyn Bueno

75-83

PDF (Français (Canada))

Moralizing metaphors: the role of fear in The Golem of Gustav Meyrink and Frankenstein by Mary Shelley

Stefano Llinas

85-102

PDF (Castellano)

This is not another haunted house tale: considerations about the horror in Mark Z. Danielewski’s novel House of Leaves

Ana Isabel Ávila Mateos

103-122

PDF (Castellano)

TRANSFORMABILITY AROUND THE SILENCE: TOWARDS A SEMIOTICS OF THE HORROR IN «THROAT OF A BLACK KITTEN», BY JULIO CORTAZAR

Frak Torres Vergel

123-143

PDF (Castellano)

WRITE REALITY THROUGH FICTION: THE ROLE OF THE GHOST AND MEMORY IN «CUANDO HABLÁBAMOS CON LOS MUERTOS», BY MARIANA ENRÍQUEZ

Lucia Leandro-Hernández

145-164

PDF (Castellano)

CONTINUITY AND RUPTURE IN TWO CONTEMPORARY READINGS OF THE WOLFMAN: «BRAÑAGANDA», BY DAVID MONTEAGUDO AND «LICANTROPIA», BY CARLES TERÈS

Marta Simo-Comas

165-185

PDF (Castellano)

SILENCES AND METAPHORS: ANALOGIES IN THE USE OF AMBIGUITY IN AMPARO DÁVILA’S «THE GUEST» AND (POST)MODERN HORROR FILM

Miguel Carrera Garrido

187-206

PDF (Castellano)

TRADITION, INNOVATION AND MARKET IN THE FANTASTIC IN GALICIAN CULTURE: THE XACOBEO THRILLER

Xaquín Núñez Sabarís

207-228

PDF (Castellano)

CERTAIN AESTHETICS OF HORROR, CERTAIN HORRORS OF AESTHETICS

Francisco Javier de León Ramírez

229-247

PDF (Castellano)

(UN)THINKABLE TERRORS: SUPERNATURAL, FAMILY AND TRAUMA IN SOME CONTEMPORARY HORROR MOVIES

Valentina Sturli

249-262

PDF (Français (Canada))

THE MONSTROUS FEMININE AND THE ABJECTION OF THE MATERNAL BODY IN TWO CONTEMPORARY HORROR FILMS: THE BABADOOK BY JENNIFER KENT AND ICH SEH, ICH SEH BY SEVERIN FIALA AND VERONIKA FRANZ

Rodrigo Ignacio González Dinamarca

263-281

PDF (Castellano)

THE SENSE OF THE ABYSS IN INSIDIOUS. JAMES WAN AND JOSEPH BISHARA. SYNTAX AND SYNTHESIS OF HORROR

Julio Ángel Olivares Merino

283-305

PDF (Castellano)

A SPECIFICALLY THEATRICAL KIND OF HORROR: THE WOMAN IN BLACK

Nicola Pasqualicchio

307-317

PDF (Italiano)

Miscellaneous

REVISION OF THE SEMANTICS OF POSSIBLE WORLDS OF THE FANTASTIC THROUGH THE MODAL IMPOSSIBILITY. THE REALISM OF THE NEOFANTASTIC

Alessandra Massoni Campillo

321-344

PDF (Castellano)

LATIN DEMONS: THE INDIGENOUS PREHISPANIC MYTH AS A GOTHIC MOTIVATOR IN THE CONTEMPORARY MEXICAN STORY

Karen Alejandra Calvo Díaz

345-366

PDF (Castellano)

DRÁCULA AND THE LITERARY CRITERIA SPECIALIZED IN ENGLISH LANGUAGE (1972-2017)

Alejandro Lillo Barceló

367-389

PDF (Castellano)

COLLECTIVE HUMAN RESURRECTION IN MODERN SECULAR FANTASTIC AND SPECULATIVE FICTION: AN OVERVIEW

Mariano Martín Rodríguez

391-410

PDF

Reviews

Teresa López-Pellisa (ed.), Historia de la ciencia ficción en la cultura española, Iberoamericana-Vervuert, Frankfurt/Madrid, 2018.

Angel del Rio

413-420

PDF (Castellano)

Filipe Furtado, O Fantástico: Procedimentos de Construção Narrativa em H.P. Lovecraft, Dialogarts Publicações, Rio de Janeiro, 2017.

Enéias Tavares

421-427

PDF (Português (Brasil))

Elton Honores, La racionalidad deshumanizante. El teatro político y la ciencia ficción (1886-1989), Polisemia e Instituto Raúl Porras Barrenechea, Lima, 2017.

Camilo Rubén Fernández Cozman

429-432

PDF (Castellano)

Sandra Casanova-Vizcaíno e Inés Ordiz (comps.), Latin American Gothic in Literature and Culture, Routledge, Nueva York, 2018.

Sandra Gasparini

433-436

PDF (Castellano)