Solitude and Erotism in De círculo y ceniza by Piedad Bonnett
Article Sidebar
Main Article Content
Although De círculo y ceniza (1989), the collection of Piedad Bonnett's first poems, has been considered a heterogeneous book, written over almost a decade, and with a whimsical organization, this paper intends to study its different parts in an organic way to find a conductive thread or a plot that is not as scattered as previously assumed.With this objective, we apply a theoretical framework to address aesthetic issues such as the figuration of the flanêur of Bogota and the poet's erotic and loving universe in the light of thinkers like Octavio Paz or Georges Bataille.
Article Details
How to Cite
Urralburu, Marcelo. “Solitude and Erotism in De círculo y ceniza by Piedad Bonnett”. Mitologías hoy, 2020, vol.VOL 22, pp. 425-40, doi:10.5565/rev/mitologias.676.
Rights
Copyright
Authors who publish with this journal agree to the following terms:- Authors retain copyright.
- The texts published in this journal are – unless indicated otherwise – covered by the Creative Commons Spain Attribution 3.0 licence. You may copy, distribute, transmit and adapt the work, provided you attribute it (authorship, journal name, publisher) in the manner specified by the author(s) or licensor(s). The full text of the licence can be consulted here: http://creativecommons.org/licenses/by/3.0/es/deed.en.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).