Review: Todo significa sed

Article Sidebar

PDF (Castellano)

Main Article Content

Marlon Enrique Caro Ojeda
Universidad Nacional Mayor de San Marcos
https://orcid.org/0000-0002-0549-5773

Review of Todo significa sed [Everything means thirst] (2023), by Lucia Ocampo. 

Keywords
Poetry, Peruvian, 20th Century, Huancayo

Article Details

How to Cite
Caro Ojeda, Marlon Enrique. “Review: Todo significa sed”. Mitologías hoy, 2024, vol.VOL 30, pp. 263-6, doi:10.5565/rev/mitologias.1019.
Rights
Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

(c) Marlon Enrique Caro Ojeda, 2024


Copyright

Authors who publish with this journal agree to the following terms:

  1. Authors retain copyright.
  2. The texts published in this journal are – unless indicated otherwise – covered by the Creative Commons Spain Attribution 3.0 licence. You may copy, distribute, transmit and adapt the work, provided you attribute it (authorship, journal name, publisher) in the manner specified by the author(s) or licensor(s). The full text of the licence can be consulted here: http://creativecommons.org/licenses/by/3.0/es/deed.en.
  3. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.

  4. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
Author Biography

Marlon Enrique Caro Ojeda, Universidad Nacional Mayor de San Marcos

Investigador independiente. Bachiller en Literatura por la Universidad Nacional Mayor de San Marcos.

References

AGAMBEN, Giorgio ([2005] 2007), La potencia del pensamiento. Flavia Costa y Edgardo Castro (trads.). Buenos Aires, Adriana Hidalgo.

DE BEAUVOIR, Simone ([1949] 2016), El segundo sexo. Juan García Puente (trad.). Ciudad de México, Penguin Random House.

DELRIEU, Solène; REAÑO, Paloma (2023), “Nota editorial”, en Ocampo, Lucía, Todo significa sed. Lima, Pesopluma, pp. 7-8.

OCAMPO, Lucía (1991), Un mundo de tristeza. Lima, DESCO, Centro de Estudios y Promoción del Desarrollo.

SALAZAR, Roberto (2021a), “Hora Zero del Centro: poetas y el ‘Poemas integral’, en Huancayo, 1978-1983”, en Escritura y pensamiento, vol. 20, n.º 42, pp. 211-230. DOI: <https://doi.org/10.15381/escrypensam.v20i42.21479>.

SALAZAR, Roberto (2021b), “Estudio introductorio”, en Hora Zero del Centro: poetas y el poema integral en Huancayo, 1978-1983. Estudio, poemas y fotografías. Ciudad Autónoma, Kanek, pp. 7-25.

WALSH, Kelly S. (2009), “The Unbearable Openness of Death: Elegies of Rilke and Woolf”, en Journal of Modern Literature, vol. 32, n.º 4, pp. 1-21. DOI: <https://doi.org/10.2979/jml.2009.32.4.1>.

YRIGOYEN, José Carlos (2023), “Trascendencia y resistencia: un acercamiento a Lucía Ocampo”, en Ocampo, Lucía, Todo significa sed. Lima, Pesopluma, pp. 9-12.

ZÚÑIGA, Carlos (2006), Literatura de Junín. Lima. Lima, Fondo Editorial Cultura Peruana.