Una breve nota sobre la música popular en Cien botellas en una pared de Ena Lucía Portela

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Rita De Maeseneer
En este artículo se estudian la presencia de la música popular y su funcionalidad en la novela Cien botellas en una pared (2002) de Ena Lucía Portela. Se analizan los géneros utilizados y las circunstancias en las que los personajes recurren a la música popular. Se plantea que la inserción de la música popular —en el texto y en las explicaciones de las notas— contribuye a plasmar la poética porteliana. Su uso es distinto de la manera como procedieron otros autores para crear un “Special Period Exotic”.
Palabras clave
cultura cubana, música popular, Período Especial, Ena Lucía Portela

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De Maeseneer, Rita. «Una breve nota sobre la música popular en Cien botellas en una pared de Ena Lucía Portela». Mitologías hoy, 2014, vol.VOL 10, pp. 7-15, https://raco.cat/index.php/mitologias/article/view/285559.
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