Buddhist Modernism

Main Article Content

Haun Saussy

The article describes the transcultural impact of Chinese written characters in East Asia and their global influence on modernism. Ezra Pound, inspired by the works of Ernest Fenollosa, transformed the Western perception of Chinese poetry, popularising the use of Chinese characters as a model for poetry. Fenollosa, influenced by Kegon Buddhism and its philosophy of interconnectedness, saw the characters as dynamic representations of nature, in contrast to Pound's interpretation focused on individual details. This interaction reflects how cultural ideas are transformed as they cross contexts, highlighting the fluid and changing nature of transcultural exchanges.

Paraules clau
Fenolloasa, Pound, Budismo, Modernismo, Caracteres chinos

Article Details

Com citar
Saussy, Haun. «Buddhist Modernism». Inter Asia Papers, 2019, núm. 65, p. 1-16, http://raco.cat/index.php/interasiapapers/article/view/435643.
Referències

Fenollosa, Ernest, and Ezra Pound (2008) The Chinese Written Character as a Medium for Poetry: A Critical Edition. Eds.

Haun Saussy, Jonathan Stalling and Lucas Klein. New York: Fordham University Press.

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Perloff, Marjorie (1985) The Dance of the Intellect: Studies in the Poetry of the Pound Tradition. Cambridge: Cambridge University Press.

Pound, Ezra (1975) The Cantos. New York: New Directions.

Pound, Ezra (2005) Early Writings. Ed. Ira B. Nadel. New York: Penguin.

Spitzer, Leo (1942) “Milieu and Ambiance: An Essay in Historical Semantics.” Philosophy and Phenomenological Research 3 (1), pp. 1-42.

Staggs, Kathleen (1983) “‘Defend the Nation and Love the Truth’: Inouye Enryô and the Revival of Meiji Buddhism.” Monumenta Nipponica 38 (3), pp. 251-281.