Aerophones in the iberian period. An aproach from ceramic iconography

The value analysis of some Iberian iconographic sources presents a broader and more complex outlook than the one we had imagined until a few years ago in the field of music organology. From the images mainly found in ceramic support we note quite a relevant preponderance of double-tube aerophones (and likely high pitched). Despite the stylized and schematic character of these representations we can deduce the existence of an interesting musical richness that reflects an Iberian culture soundscape, as yet far too little researched.