Hostiers i neulers medievals del Museu Episcopal de Vic
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Lluïsa Amenós Martínez
El Museu Episcopal de Vic conserva una completa col·lecció d’hostiers i neulers d’època medieval que, sens dubte, juntament amb els fons dels museus diocesans de Lleida, Solsona, Barcelona i Tarragona, constitueixen un referent obligat a l’hora d’emprendre un estudi global sobre aquestes produccions. Destacable tant pel nombre i varietat de peces com per la qualitat del seu treball artístic, la col·lecció del Museu Episcopal de Vic és sens dubte la més representativa del panorama museístic català. El present estudi és una primera aproximació a la realitat historicoartística d’unes produccions molt poc conegudes i sovint oblidades per la historiografia de l’art, fet a partir de l’anàlisi dels fons conservats en col·leccions públiques catalanes. La segona part del treball inclou el catàleg raonat de les peces medievals conservades al Museu Episcopal de Vic.
The Museu Episcopal de Vic has in its possession a complete collection of moulds for hosts from the Medieval age. Without doubt, this collection (together with those of the Diocesan museums of Lleida, Solsona, Barcelona and Tarragona) constitutes a compulsory reference when undertaking any global study of these types of artefacts. The MEV’s collection is undoubtedly the most representative of Catalonia’s museum scene, and stands out for both its number and variety of its pieces as well as their artistic quality. The present study is a first approach to the historical and artistic style of these artefacts, which are fairly unknown and frequently forgotten in any art based historical study of the pieces kept in any Catalan collection. The second part of the essay includes a reasoned catalogue of the Medieval pieces kept within the MEV.
The Museu Episcopal de Vic has in its possession a complete collection of moulds for hosts from the Medieval age. Without doubt, this collection (together with those of the Diocesan museums of Lleida, Solsona, Barcelona and Tarragona) constitutes a compulsory reference when undertaking any global study of these types of artefacts. The MEV’s collection is undoubtedly the most representative of Catalonia’s museum scene, and stands out for both its number and variety of its pieces as well as their artistic quality. The present study is a first approach to the historical and artistic style of these artefacts, which are fairly unknown and frequently forgotten in any art based historical study of the pieces kept in any Catalan collection. The second part of the essay includes a reasoned catalogue of the Medieval pieces kept within the MEV.
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Amenós Martínez, Lluïsa. «Hostiers i neulers medievals del Museu Episcopal de Vic». Quaderns del Museu Episcopal de Vic, vol.VOL 1, pp. 91-113, https://raco.cat/index.php/QuadernsMEV/article/view/132187.
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- Lluïsa Amenós Martínez, Les portes ferrades romàniques al sud del Pirineu català , Quaderns del Museu Episcopal de Vic: 2009: Vol.: 3